“The rite, the becoming-animal of the scapegoat clearly illustrates this: a first expiatory animal is sacrificed, but a second is driven away, sent out into the desert wilderness. In the signifying regime, the scapegoat represents a new form of increasing entropy in the system of signs: it is charged with everything that was "bad" in a given period, that is, everything that resisted signifying signs, everything that eluded the referral from sign to sign through the different circles; it also assumes everything that was unable to recharge the signifier as its center and carries off everything that spills beyond the outermost circle.”

“Signs imply ways of living, possibilities of existence, they are the symptoms of an overflowing (jaillissante) or exhausted (épuisée) life. But an artist cannot be content with an exhausted life, nor with a personal life. One does not write with one's ego, one's memory, and one's illnesses. In the act of writing there's an attempt to make life something more personal, to liberate life from what imprisons it...There is a profound link between signs, the event, life, and vitalism. It is the power of nonorganic life, that which can be found in a line of a drawing, a line of writing, a line of music. It is organisms that die, not life. There is no work of art that does not indicate an opening for life, a path between the cracks. Everything I have written has been vitalistic, at least I hope so, and constitutes a theory of signs and the event.”

“Opening is an essential feature of univocity. The nomadic distributions or crowned anarchies in the univocal stand opposed to the sedentary distribution of analogy. Only there does the cry resound: ‘Everything is equal!’ and ‘Everything returns!’. However, this ‘Everything is equal!’ and ‘Everything returns!’ can be said only at the point in which the extremity of difference is reached. A single and same voice for the whole thousand-voiced multiple, a single and same Ocean for all the drops, a single clamour of Being for all beings: on the condition that each being, each drop, and each voice has reached the state of excess – in other words, the difference which displaces and disguises them and, in turning upon the mobile cusp, causes them to return.”

“The fateful law of human semiotics is this: that of all the objects in the entire Cosmos which the sign-user can apprehend through the conjoining of signifier and signified (word uttered and thing beheld), there is one which forever escapes his comprehension--and that is the sign-user himself...The self of the sign-user can never be grasped, because, once the self locates itself at the dead center of its world, there is no signified to which a signifier can be joined to make a sign. The self has no sign of itself. No signifier applies. All signifiers apply equally.”

“What does belief applied to the unconscious signify? What is an unconscious that no longer does anything but believe, rather than produce? What are the operations, the artifices that inject the unconscious with ‘beliefs’ that are not even rational, but on the contrary only too reasonable and consistent with the established order?”

“Christianity taught us to see the eye of the lord looking down upon us. Such forms of knowledge project an image of reality, at the expense of reality itself. They talk figures and icons and signs, but fail to perceive forces and flows. They bind us to other realities, and especially the reality of power as it subjugates us. Their function is to tame, and the result is the fabrication of docile and obedient subjects.”

“The shadow escapes from the body like an animal we had been sheltering.”