“What a view, i said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I beheld the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence.”
In this quote from James Dickey's novel, the speaker is captivated by the beauty of the river and describes the experience as more than just seeing, but beholding. The speaker is overcome by the river's majesty and grandeur, using vivid imagery to convey its intricate details and overwhelming presence. The use of words like "glorious," "icy pit of brightness," and "uncomprehending consequence" creates a sense of awe and reverence for the natural world. This passage highlights the transformative power of nature and the profound impact it can have on an individual's perception and understanding of the world around them.
The quote from James Dickey's novel "Deliverance" still holds relevance in our modern world as it beautifully captures the feeling of awe and wonder that can come from experiencing the natural world. In today's fast-paced and technology-driven society, taking the time to truly behold and appreciate the beauty of nature can offer a sense of peace and perspective. This quote serves as a reminder to slow down, disconnect from distractions, and immerse ourselves in the beauty that surrounds us.
“What a view, i said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I beheld the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence.” - James Dickey
When was the last time you experienced true beholding of nature like the speaker in the poem?
How does the speaker's description of the river as "mindless with beauty" make you see the natural world in a new light?
What do you think the speaker means by the river's "uncomprehending consequence"? How does this idea resonate with your own understanding of nature's power and significance?
“With my foot on the water, I feel The moon outside,Take on the utmost of its power. I rise and go out through the boats.I set my broad soul upon silver, On the skin of the sky, on the moonlight,Stepping outward from the earth onto waterIn quest of the miracle.”
“Before I had studied Chan for thirty years, I saw mountains as mountains, and rivers as rivers. When I arrived at a more intimate knowledge, I came to the point where I saw that mountains are not mountains, and rivers are not rivers. But now that I have got its very substance I am at rest. For it's just that I see mountains once again as mountains, and rivers once again as rivers.”
“I just believe,' he said, 'that the whole thing is going to be reduced to the human body, once and for all. I want to be ready.... I think the machines are going to fail, the political systems are going to fail, and a few men are going to take to the hills and start over.... I had an air-raid shelter built,' he said. 'I'll take you down there sometime. We've got double doors and stocks of bouillon and bully beef for a couple of years at least. We've got games for the kids, and a record player and a whole set of records on how to play the recorder and get up a family recorder group. But I went down there one day and sat for a while. I decided that survival was not in the rivets and the metal, and not in the double-sealed doors and not in the marbles of Chinese checkers. It was in me. It came down to the man, and what he could do. The body is the one thing you can't fake; it's just got to be there.... At times I get the feeling I can't wait. Life is so fucked-up now, and so complicated, that I wouldn't mind if it came down, right quick, to the bare survival of who was ready to survive. You might say I've got the survival craze, the real bug. And to tell you the truth I don't think most other people have. They might cry and tear their hair and be ready for some short hysterical violence or other, but I think most of them wouldn't be too happy to give down and get it over with.... If everything wasn't dead, you could make a kind of life that wasn't out of touch with everything, with other forms of life. Where the seasons would mean something, would mean everything. Where you could hunt as you needed to, and maybe do a little light farming, and get along. You'd die early, and you'd suffer, and your children would suffer, but you'd be in touch.”
“I was standing in the most absolute aloneness that I had ever been given.”
“What you have to realize when you write poetry, or if you love poetry, is that poetry is just naturally the greatest god damn thing that ever was in the whole universe”
“I go out on the side of a hill, maybe hunting deer, and sit there and see the shadow of night coming over the hill, and I can swear to you there is a part of me that is absolutely untouched by anything civilized. There's a part of me that has never heard of a telephone.”