“They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.”

“In fiction, the characters have their own lives. They may start as a gloss on the author’s life, but they move on from there. In poetry, especially confessional poetry but in other poetry as well, the poet is not writing characters so much as emotional truth wrapped in metaphor. Bam! Pow! A shot to the gut.”

“Happy-ever-after is a fairy-tale notion, not history. I know of no woman who escaped from Chelmno alive.”

“JANE: What to do when it is that time in your girl child's life:1. Sit down calmly and explain sex to her?2. Buy her a book, video, or CD that gives her the details?3. Buy her condoms and put her on the pill?Or do as many mothers before you did—just stick your head in the sand and hope she joins a convent.Of course these days your child may know more about sex than you did at her age, what with in-school health lessons, and out-of-school R-rated movies easily accessed on the TV, not to mention the Starr Report!In the days of fairy tales, sex was dangerous because so many women died in childbirth. Today sex is again dangerous because of diseases like AIDS. So what do we say?”

“Fairy Tales always have a happy ending.' That depends... on whether you are Rumpelstiltskin or the Queen.”

“Fiction cannot recite the numbing numbers, but it can be that witness, that memory. A storyteller can attempt to tell the human tale, can make a galaxy out of the chaos, can point to the fact that some people survived even as most people died. And can remind us that the swallows still sing around the smokestacks.”

“Stories," he'd said, his voice low and almost husky, "we are made up of stories. And even the ones that seem the most like lies can be our deepest hidden truths.”