“INEZ: There...you know the way the catch larks - with a mirror? I'm your lark-mirror,my dear, and you can't escape me...There isn't any pimple, not a trace of one. So what about it? Suppose the mirror started telling lies? Or suppose I covered my eyes - as he is doing - and refused to look at you, all that loveliness of yours would be wasted on the desert air. No, don't be afraid, I can't help looking at you. I shan't turn my eyes away. AndI'll be nice to you, ever so nice. Only you must be nice to me too.”
In this quote from Jean-Paul Sartre's play "No Exit," Inez describes herself as a mirror for the other characters in the room, particularly focusing on Garcin. By comparing herself to a mirror that reflects all of his flaws and beauty, Inez emphasizes her power over him and her ability to see through his facade. She acknowledges that even if she were to look away or lie about his appearance, the truth would still be there. Inez's boldness and transparency in this quote highlight the themes of self-awareness, judgment, and manipulation present throughout the play. It also speaks to the idea that our true selves are always reflected back to us, whether we like it or not.
In this passage from Jean-Paul Sartre's play "No Exit", the character Inez uses the metaphor of being a lark-mirror to describe her role in another character's life. In a modern context, this passage can be seen as highlighting the idea of social media and the way in which people can become mirrors to each other, constantly reflecting and shaping each other's self-perception. Just as Inez cannot look away from the other character's beauty, people today may feel the pressure to constantly present themselves in a certain way online. The idea of "being nice" to each other in this context could raise questions about authenticity and the impact of performative behaviors on relationships in the digital age.
In this excerpt from Jean-Paul Sartre's play, "No Exit," the character Inez speaks to another character about the intensity of their relationship. She compares herself to a mirror, reflecting the other character's beauty and refusing to turn away, despite any flaws or imperfections. This quote showcases Inez's obsessive nature and her desire for a deep, unbreakable connection with the other character.
This quote from Jean-Paul Sartre's play "No Exit" raises questions about perception, self-image, and relationships. Consider the following questions for reflection:
How does the metaphor of being a "lark-mirror" resonate with the idea of self-reflection and self-perception?
In what ways do you think our self-image is influenced by how others perceive us, as depicted in the interaction between Inez and the other character in the quote?
How do you interpret the idea of "covering your eyes" or refusing to see your own beauty? What do you think this says about self-acceptance and self-love?
Reflect on the concept of kindness and niceness in relationships, as mentioned in the quote. How does being kind to others impact our own self-perception and relationships with them?
How does this quote provoke thoughts on the complexities of human connection and the role of perception in shaping our interactions with others?
“INEZ: To forget about the others? How utterly absurd! I feel you there, in every pore.Your silence clamours in my ears. You can nail up your mouth, cut your tongue out - but you can't prevent your being there. Can you stop your thoughts? I hear them ticking away like a clock, tick-tock, tick-tock, and I'm certain you hear mine. It's all very well skulking on your sofa, but you're everywhere, and every sound comes to me soiled because you've intercepted it on its way. Why, you've even stolen my face; you know it and I don't ! And what about her, about Estelle? You've stolen her from me, too; if she and I were alone do you suppose she'd treat me as she does? No, take your hands from your face, I won't leave you in peace - that would suit your book too well. You'd go on sitting there, in a sort of trance, like a yogi, and even if I didn't see her I'd feel it in my bones - that she was making every sound, even the rustle of her dress, for your benefit, throwing you smiles you didn't see... Well, I won't stand for that, I prefer to choose my hell; I prefer to look you in the eyes and fight it out face to face.”
“Oh, what a nuisance you are! I'm giving you my mouth, my arms, my whole body - and everything could be so simple...My trust! I haven't any to give, I'm afraid, and you're making me terribly embarrassed. You must have something pretty ghastly on your conscience to make such a fuss about my trusting you.”
“INEZ: What's the matter?ESTELLE: I feel so queer. Don't you ever get taken that way? When I can't see myself I begin to wonder if I really and truly exist. I pat myself just to make sure, but it doesn't help much.”
“When I was little, my Aunt Bigeois told me "If you look at yourself too long in the mirror, you'll see a monkey." I must have looked at myself even longer than that: what I see is well below the monkey, on the fringe of the vegetable world, at the level of jellyfish... The eyes especially are horrible seen so close. They are glassy, soft, blind, red-rimmed, they look like fish scales... A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me.”
“It's your weakness gives them their strength. Mark how they dare not speak to me. A nameless horror has descended on you, keeping us apart. And yet why should this be? What have you lived through that I have not shared? Do you imagine that my mother's cries will ever cease ringing in my ears? Or that my eyes will ever cease to see her great sad eyes, lakes of lambent darkness in the pallor of it will ever cease ravaging my heart? But what matter? I am free. Beyond anguish, beyond remorse. Free. And at one with myself. No, you must not loathe yourself, Electra. Give me your hand. I shall never forsake you.”
“You see, I'm fond of teasing, it'sa second nature with me—and I'm used to teasing myself. Plaguing myself, if you prefer; I don't tease nicely.”