“All that is left in the world is an enormous machine, made of white steel. It has innumerable flexible arms, made of steel. Long, thin arms. At the end of each arm is an eye, the eyelashes stiff with mascara. When I look more closely I see that only some of the arms have these eyes–others have lights. The arms that carry the eyes and the arms that carry the lights are all extraordinarily flexible and very beautiful. But they grey sky, which is the background, terrifies me. . . . And the arms wave to an accompaniment of music and of song. Like this: 'Hotcha–hotcha–hotcha. . . .' And I know the music; I can sing the song. . . .”
“Michael Robartes remembers forgotten beauty and, when his arms wrap her round, he presses in his arms the loveliness which has long faded from the world. Not this. Not at all. I desire to press in my arms the loveliness which has not yet come into the world.”
“I realized that I have very long arms so I can take the perfect arm-length picture with fans”
“And I closed my eyes because I wanted to know nothing but her arms.”
“It was, as the song said, ‘call to arms music,’ and seemed to have little to do with Scotland and New Year. It was fighting music. Stevie didn’t want to fight anyone. But it was also beautiful music.”
“The only thing better than imagining Dimitri carrying me in his arms was imagining him shirtless while carrying me in his arms.”