“I recall an August afternoon in Chicago in 1973 when I took my daughter, then seven, to see what Georgia O’Keeffe had done with where she had been. One of the vast O’Keeffe ‘Sky Above Clouds’ canvases floated over the back stairs in the Chicago Art Institute that day, dominating what seemed to be several stories of empty light, and my daughter looked at it once, ran to the landing, and kept on looking. "Who drew it," she whispered after a while. I told her. "I need to talk to her," she said finally.”

“Hassan still had not come back when night fell and moonlight bathed the clouds. Sanaubar cried that coming back had been a mistake, maybe even a worse one than leaving. But I made her stay. Hassan would return, I knew. He came back the next morning, looking tired and weary, like he had not slept all night. He took Sanaubar's hand in both of his and told her she could cry if she wanted to but she needn't, she was home now, he said, home with her family. He touched the scars on her face, ran his hand through her hair...Sometimes, I would look out the window into the yard and watch Hassan and his mother kneeling together, picking tomatoes or trimming a rosebush, talking. They were catching up on all the lost years, I suppose. As far as I know he never asked where she had been or why she left and she never told. I guess some stories do not need telling. ”

“A friend of ours, the wife of a pastor at a church in Colorado, had once told me about something her daughter, Hannah, said when she was three years old. After the morning service was over one Sunday, Hannah tugged on her mom's skirt and asked. "Mommy, why do some people in church have lights over their heads and some don't?" At the time, I remember thinking two things: First, I would've knelt down and asked Hannah, "Did I have a light over my head? Please say yes!" I also wondered what Hannah had seen, and whether she had seen it because, like my son, she had a childlike faith.”

“I recalled the afternoon when the two of us stood beating erasers, and Camille confided that she'd done penance for stories - stories that I'll never know if she wrote or only imagined writing. She'd wanted me to tell her a secret from my dreams, a secret from my dreams I hadn't had as yet, and so I didn't quite understand what she was after."It's about feeling," Camille had insisted.I didn't understand then that she was talking about risk.”

“For once I didn't look away immediately. I forced myself to meet her contemptuous gaze. I allowed myself be swept away by it, to drown in it - the way I'd done so many times before. The way I would willingly do again. Because at least she was here to hate me. At least I had that. I watched my daughter conjure up the filthiest look in her vast arsenal before she turned away with complete disdain. I didn't mind that so much. It meant I could watch her, drink her in without her protest. Look at our daughter, Callum. Isn't she beautiful, so very beautiful? She laughs like me, but when she smiles... Oh Callum, when she smiles, it's picnics in Celebration Park and sunsets on our beach and our very first kiss all over again. When Callie Rose smiles at me, she lights up my life.When Callie Rose smiles at me.”

“Seeing her this last time, I threw myself on her body. And she opened her eyes slowly. I was not scared. I knew she could see me and what she had finally done. So i shut her eyes with my fingers and told her with my heart: I cah see the truth, too. I am strong, too.”