“Ted: A fucking good poem is a weapon. It's-- and not like a--a popgun or something.- It's a bomb.It's like a bloody big bomb. Sylvia: That’s why they make childrenlearn them in school.They don't want them messing aboutwith them on their own. I mean, just imagineif a sonnet went off accidentally. Boom.”

“Those days are gone, and good fucking riddance to them; unhappiness really meant something back then. Now it's just a drag, like a cold or having no money. If you really wanted to mess me up, you should have got to me earlier.”

“I am one man with a laptop. When I give the world my characters, it's because I don't want to keep them for myself. You don't like what I made them do? Fucking tell me I'm wrong! Rewrite the story. Throw in a new plot twist. Make up your own ending.”

“I don't expect you to be like them. Don't want you to be. It's not them I want, it's you. From the moment we met, it's only been you.”

“It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.”

“Music on the radio. When I went in, the big bands were just getting up a good head of steam. Now every song sounds like it's about fucking.”