“He wasn’t perfect or anything. He wasn’t your fairy-tale Prince Charming or whatever. He tried to be like that sometimes, but I liked him best when that stuff fell away.”
“and then he wanted to say he was sorry, but just that sometimes he felt understandable and sometimes he worried when they bickered and she went a while without saying she loved him, but he restrained himself.”
“People thought he was a glutton for punishment, that he liked getting dumped. But it wasn't like that. He could just never see anything coming, and as he lay on the solid, uneven ground with Hassan pressing too hard on his forehead, Colin Singleton's distance from his glasses made him realize the problem: myopia. He was nearsighted. The future lay before him, inevitable but invisible.”
“Uh-uh, dude. I tried it your way with the dating and the girls and the kissing and the drama, and man, I didn't like it. Plus, my best friend is a walking cautionary tale of what happens to you when romantic relationships don't involve marriage. Like you always say, kafir, everything ends in breakup, divorce, or death. I want to narrow my misery options to divorce or death - that's all.”
“It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn't say it back. I just looked at him and let him look at me until he nodded, lips pursed and turned away, placing the side of his head against the window.”
“I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I've always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus?”
“JG: Ha! I will get him Looking for Alaska and tell him this idea that a human being is more than a human being is a mistaken idea and in the end does no service either to him or the person he's imagining. That trope has become so deeply embedded in American culture, and as someone who writes about young people falling in love, I feel like I can't ignore it, but I try to make it clear that life works best when we think of people as people.”