“Do you take pride in your hurt? Does it make you seem large and tragic? ...Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.”

“Do you take pride in your hurt?' Samuel asked. 'Does it make you seem large and tragic? . . . Maybe you're playing a part on a great stage with only yourself as audience . . . there's all that fallow land, and here beside me is all that fallow man. It seems a waste. And I have a bad feeling about waste because I could never afford it. Is it a good feeling to let your life lie fallow?”

“Ultimately, you have to not worry about people thinking you should have played him differently. You're the one playing the part so it has to be yours.”

“Maybe your empathy's just a comforting lie, you ever think of that? Maybe you think you know how the other person feels but you're only feeling yourself, maybe you're even worse than me. Or maybe we're all just guessing.”

“The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost blind you draw large and startling figures.”

“What part soever you take upon you, play that as well as you can and make the best of it.”