“He had shining dark eyes and an oboe voice and mink-soft hair and could seem, even to Gary, more sentient animal than little boy.”

Jonathan Franzen

Explore This Quote Further

Quote by Jonathan Franzen: “He had shining dark eyes and an oboe voice and m… - Image 1

Similar quotes

“Gary had hoped to find her more cooperative. He already had one "alternative" sibling and he didn't need another. It frustrated him that people could so happily drop out of the world of conventional expectations; it felt like a unilateral rewriting, to his disadvantage, of the rules of life.”


“--he could feel the outside world closing in on him, demanding his consideration, but as long as he stayed by himself in the woods he was able to remain true to his refusal. He came from a long line of refusers, he had the constitution for it. There seemed to be almost nothing left of Lalitha; she was breaking up on him the way dead songbirds did in the wild--they were impossibly light to begin with, and as soon as their little hearts stopped beating they were barely more than bits of fluff and hollow bone, easily scattered in the wind--but this only made him more determined to hold on to what little of her he still had.”


“There seemed to be almost nothing left of Lalitha; she was breaking up on him the way dead songbirds did in the wild-they were impossibly light to begin with, and as soon as their little hearts stopped beating they were barely more than bits of fluff and hollow bone, easily scatterd in the wind-but this only made him more determined to hold onto what little of her he still had.”


“After Gary had given the enlargements their sour baths, he raised the lights and discovered that both prints were webbed over with peculiar yellow blotches. He cursed a little, not so much because he cared about the prints as because he wanted to preserve his good spirits, his serotonin-rich mood, and to do this he needed... cooperation from the world of objects.”


“Zachary's mother, Lucy, waylaid him on the third-floor landing and offered, unsolicited, her opinion that the Traumatics had been the kind of adolescently posturing, angst-mongering boy group that never interested her. Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence --the drama of being her-- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation. Katz had encountered, practically verbatim, the same provocation a hundred times before, which put him in the ridiculous position now of feeling bad for being unable to pretend to be provoked: of pitying Lucy's doughty little ego, its floatation on a sea of aging-female insecurity. He doubted he could get anywhere with her even if he felt like trying, but he knew that her pride would be hurt if he didn't make at least a token effort to be disagreeable. (p. 194)”


“He and his wife loved each other and brought each other daily pain. Everything else he was doing in his life, even his longing for Lalitha, amounted to little more than flight from circumstance. He and Patty couldn't live together and couldn't imagine living apart. Each time he thought they'd reached the unbearable breaking point, it turned out that there was still further they could go without breaking.”