“Despair busies one, and my weekend was spoken for. I was going to lie down on the floor of my apartment in the draft of the air conditioner and spend two days and nights traveling a circuit of regret, self-pity, and jealousy.”

“Sometimes to walk in shaded parts of Manhattan is to be inserted into a Magritte: the street is night while the sky is day.”

“You know what my motto is?'I didn't think people had mottoes anymore,' I said.Think fantastic,' Chuck said. 'My motto is, Think fantastic.”

“About Danielle, I remember, my feelings were no more specific than pleasant anxiousness. She hadn’t caught me, obviously enough, at a very erotic moment in my life. I had never been much of a pickup artist—a few ghastly encounters in my twenties had seen to that—and the alternative prospect of a euphoric romance not only exhausted me but, in fact, struck me as impossible. This wasn’t because of any fidelity to my absent wife or some aversion to sex, which, I like to think, grabs me as much as the next man. No, it was simply that I was uninterested in making, as I saw it, a Xerox of some old emotional state. I was in my mid-thirties, with a marriage more or less behind me. I was no longer vulnerable to curiosity’s enormous momentum. I had nothing new to murmur to another on the subject of myself and not the smallest eagerness about being briefed on Danielle’s supposedly unique trajectory—a curve described under the action, one could safely guess, of the usual material and maternal and soulful longings, a few thwarting tics of character, and luck good and bad. A life seemed like an old story.”

“For those under the age of 45 it seemed that world events had finally contrived a meaningful test of their capacity for conscientious political thought. Many of my acquaintances, I realized, had passed the last decade or two in a state of intellectual and psychic yearning for such a moment — or, if they hadn’t, were able to quickly assemble an expert arguer’s arsenal of thrusts and statistics and ripostes and gambits and examples and salient facts and rhetorical maneuvers.”

“I found it idiotically distressing that a sharp finger whistle could no longer summon them outdoors into a playful twilight. An ancient discovery was now mine to make: to leave is to make nothing less than a mortal action. The suspicion came to me for the fist time that they were figures of my dreaming, like the loved dead: my mother and all these vanished boys. And after Mama's cremation I could not rid myself of the notion that she had been placed in the furnace of memory even when alive and, by extension, that one's dealings with others, ostensibly vital, at a certain point become dealings with the dead.”

“Each of her soothing utterances battered me more grievously than the last—as if I were traveling in a perverse ambulance whose function was to collect a healthy man and steadily damage him in readiness for the hospital at which a final and terrible injury would be inflicted.”