“I come in all big and bad, and you use me for a game of handball.” I grin. “Makes a guy feel damn manly. She grins back. “It made me feel pretty manly.”
“This is weird. There's a dead woman in front of me like dozens of other dead women I've seen. But this one is a queen, and a famous one. If it's possible to be starstruck by the dead, then I guess that's what's happening.”
“I sigh. “So now what? Can I possibly tell you to go home and forget about this? Is there any way that I can avoid us forming some peppy group of—” Before my mouth can finish, I lean forward and groan into my hands. Carmel gets it first, and laughs. “A peppy group of ghostbusters?” she asks.”
“I can feel that photo of Anna staring at me from sixty years ago, and I can’t help myself from wanting to protect her, wanting to save her from becoming what she already is.”
“I’m staring at Anna’s house again. The logical part of my brain tells me that it’s just a house. That it’s what’s inside that makes it horrifying, that makes it dangerous, that it can’t possibly be tilting toward me like it’s hunting me through the overgrowth of weeds. It can’t possibly be trying to jerk free of its foundation and swallow me whole. But that’s what it looks like it’s doing.”
“I smile quietly. She is with me all the time. I feel stupid now, for not seeing it sooner. But hey, at least we'll have this strange story to tell, love and death and blood and daddy-issues. And holy crap, I am a psychiatrist's wet dream."- Cas Lowood, Anna Dressed in Blood”