“Every book is an alchemical creation, and I'm thinking back to 1857 when Herman Melville arrived in Greece and saw the Parthenon for the first time sitting there like a great beached whale, its big white bones exposed to the winds. But how can this happen? How can a whale turn into a building? Or into a book? In what way can words be alive?”

“What other creature, besides the lion, the tiger, and the whale, can answer Creation in its own language?”

“You can imagine Herman Melville coming to his publisher with his new manuscript. They ask him what it's about, and he says, 'It's about a one-legged captain who's had his leg bitten off by a whale.' It wouldn't have sounded that promising. Fitzgerald wrote Gatsby, he was told you couldn't write seriously about a bootlegger. If a man cares intensely enough about tiddley winks, his book about tiddley winks ill be a great novel.”

“The great American writer Herman Melville says somewhere in The White Whale that a man ought to be 'a patriot to heaven,' and I believe it is a good thing, this ambition to be a cosmopolitan, this idea to be citizens not of a small parcel of the world that changes according to the currents of politics, according to the wars, to what occurs, but to feel that the whole world is our country.”

“The Kappamaki, a whaling research ship, was currently researching the question: How many whales can you catch in one week?”

“It's like dinosaurs. We can put them back together perfectly, bone for bone, but we don't know what they smelled like, what kind of sounds they made, or how big they really looked standing in the grass under all those fossil fern trees. Even the sunlight must have been different, and the wind. What can bones tell you about a kind of wind that doesn't blow anymore?”