“I am hard at work on the second draft ... Second draft is really a misnomer as there are a gazillion revisions, large and small, that go into the writing of a book.”

“I don't write a quick draft and then revise; instead, I work slowly page by page, revising and polishing.”

“First drafts are for learning what your novel or story is about. Revision is working with that knowledge to enlarge & enhance an idea, to reform it . . . Revision is one of the true pleasures of writing.”

“First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.”

“There would seem to be four stages in the composition of a story. First comes the germ of the story, then a period of more or less conscious meditation, then the first draft, and finally the revision, which may be simply ‘pencil work’ as John O’Hara calls it — that is, minor changes in wording — or may lead to writing several drafts and what amounts to a new work.”

“It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I’d written the story. I hadn’t—I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It’s in there somewhere—but I have to find it. I’ll then write a third, fourth, and fifth draft, and so on.”