“Love drains you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.”
In this quote by Lorrie Moore, the analogy of love draining one's energy and vitality is vividly illustrated. The comparison to a house losing electricity conveys the gradual and debilitating effects of love on an individual. The imagery of fans slowing, lights dimming, and clocks stopping portrays a sense of stagnation and decay. Love is depicted as a force that not only consumes physical resources, such as blood sugar and water weight, but also drains emotional and mental energy. Overall, the quote captures the draining and exhausting nature of love on a person's well-being.
In this quote by Lorrie Moore, the metaphor of love draining one's energy is vivid and relatable in today's world. With the demands and complexities of modern life, it is easy to feel depleted by the emotional investment required in relationships. Let's explore how this concept of love as an energy drain resonates in contemporary society.
One example of using the quote from Lorrie Moore, "Love drains you, takes with it much of your blood sugar and water weight...", could be in a conversation about the physical and emotional toll that love can take on an individual. It paints a vivid image of how love can affect us internally, draining our energy and leaving us feeling depleted.
Reflecting on the quote by Lorrie Moore, consider the ways in which love can impact our physical and emotional well-being.
Have you experienced a time when love felt draining, like it was taking something vital from you?
How do you usually replenish your energy and vitality after experiencing the draining effects of love?
In what ways can we protect ourselves from feeling depleted in our relationships while still experiencing the joys of love?
“Tell him not to smoke in your apartment. Tell him to get out. At first he protests. But slowly, slowly, he leaves, pulling up the collar on his expensive beige raincoat, like an old and haggard Robert Culp. Slam the door like Bette Davis. Love drains from you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.”
“Though she would have preferred long ago to have died, fled, gotten it all over with, the body--Jesus, how the body!--took its time. It possessed its own wishes and nostalgias. You could not just turn neatly into light and slip out the window. You couldn't go like that. Within one's own departing but stubborn flesh, there was only the long, sentimental, piecemeal farewell. Sir? A towel. Is there a towel? The body, hauling sadness, pursued the soul, hobbled after. The body was like a sweet, dim dog trotting lamely toward the gate as you tried slowly to drive off, out the long driveway. Take me, take me, too, barked the dog. Don't go, don't go, it said, running along the fence, almost keeping pace but not quite, its reflection a shrinking charm in the car mirrors as you trundled past the viburnium, past the pin grove, past the property line, past every last patch of land, straight down the swallowing road, disappearing and disappearing. Until at last it was true: you had disappeared.”
“You chose love like a belief, a faith, a place, a box for one's heart to knock against like a spook in the house.”
“Where does love go? When something you have taped on the wall falls off, what has happened to the stickum? It has relaxed. It has accumulated an assortment of hairs and fuzzies. It has said "Fuck it" and given up. It doesn't go anywhere special, it's just gone. Energy is created, and then it is destroyed. So much for the laws of physics. So much for chemistry. So much for not so much.”
“I've come to realize that life, while being everything, is also strangely not much. Except when the light shines on it a different way and then you realize it's a lot after all!”
“1976. The Bicentennial. In the laundromat, you want for the time on your coins to run out. Through the porthole of the dryer, you watch your bedeviled towels and sheets leap and fall. The radio station piped in from the ceiling plays slow, sad Motown; it encircles you with the desperate hopefulness of a boy at a dance, and it makes you cry. When you get back to your apartment, dump everything on your bed. Your mother is knitting crookedly: red, white, and blue. Kiss her hello. Say: "Sure was warm in the place." She will seem not to hear you.”