“Tragedies, I was coming to realize through my daily studies in humanities both in and out of the classroom, were a luxury. They were constructions of an affluent society, full of sorrow and truth but without moral function. Stories of the vanquishing of the spirit expressed and underscored a certain societal spirit to spare. The weakening of the soul, the story of the downfall and the failed overcoming - trains missed, letters not received, pride flaring, the demolition of one's own offspring, who were then served up in stews - this was awe-inspiring, wounding entertainment told uselessly and in comfort at tables full of love and money. Where life was meagerer, where the tables were only half full, the comic triumph of the poor was the useful demi-lie. Jokes were needed. And then the baby feel down the stairs. This could be funny! Especially in a place and time where worse things happened. It wasn't that suffering was a sweepstakes, but it certainly was relative. For understanding and for perspective, suffering required a butcher's weighing. And to ease the suffering of the listener, things had better be funny. Though they weren't always. And this is how, sometimes, stories failed us: Not that funny. Or worse, not funny in the least.”

“But whatever any of them thought one thing was always certain: even though they suffered and had to struggle at times to bring meaning and even the most basic dignity into their existence and even though in their search for justice and truthfulness they were beaten down and met with disappointment again and again—their lives were not available for use as an illustration. Theirs were not stories that could be read as an affirmation of another system.”

“...and the funny thing was that people who weren't entirely certain they were right always argued much louder than other people, as if the main person they were trying to convince were themselves.”

“One time, Bert and I were making out for so long it wasn't even funny..But then it was funny.”

“It would have been funny if I had been an observer and not a participant, an idea that gave me a disconcerting insight into gossip. As I walked beside the silent Tamara, I realized that despite how entertaining certain stories were, at the bottom of every item of gossip there was someone getting hurt.”

“They laughed. Things were funny. They weren't afraid to care. There was no sense to life, to the structure of things.”