“We're pupils of the religions—Catholic, Protestant, Jewish . . . Well, the Christian religions. Those who directed French education down through the centuries were the Jesuits. They taught us how to make sentences translated from the Latin, well balanced, with a verb, a subject, a complement, a rhythm. In short—here a speech, there a preach, everywhere a sermon! They say of an author, “He knits a nice sentence!” Me, I say, “It's unreadable.” They say, “What magnificent theatrical language!” I look, I listen. It's flat, it's nothing, it's nil. Me, I've slipped the spoken word into print. In one sole shot.”

“I miss Latin. So much fun--all those exciting verbs that don't come until the end of the sentence. It's like a movie trailer for language.”

“Teachers're always using that "in your own words." I hate that. Authors knit their sentences tight. It's their job. Why make us unpick them, just to put it back together more shonkily? How're you s'posed to say Kapellmeister if you can't say Kapellmeister?”

“If I were asked for a one-sentence sound bite on religion, I would say I was against it.”

“He may well speak French and Latin and half a dozen languages, but since he has nothing to say – what good are they?”

“He grabs my arm and pulls me into his embrace. I close my eyes and it's perfection. The kiss is needy and desperate even if it's closed mouth. It's the things we don't say. Words like, I needed you more than anything in the entire world and here you are. It's the sentences neither of us can say. Because neither of us likes grand gestures or big words. But the kiss says it all, the desperate tremble of his fearful lips against mine, speak volumes compared to the words we may or may not be able to say.”