“Where was I?""A different island," said old Tallow. Her voice was stern, but there was an ache in her look that Omakayas had never before seen. "An island called Spirit Island where everyone but you died of the itching sickness- you were the toughest one, the littlest one, and you survived them all.""You were sent here so you could save the others," she said. "Because you'd had the sickness, you were strong enough to nurse them through it. They did a good thing when they took you in, and you saved them for their good act. Now the circle that began when I found you is complete.”

“I’ve been thinking about that book about the boys who crash on an island,” Mary Lou said to Adina one afternoon as they rested on their elbows taking bites from the same papaya. “Lord of the Flies. What about it?” You know how you said it wasn’t a true measure of humanity because there were no girls and you wondered how it would be different if there had been girls?” “Yeah?” “Maybe girls need an island to find themselves. Maybe they need a place where no one’s watching them so they can be who they really are.” There was something about the island that made the girls forget who they had been. All those rules and shalt nots. They were no longer waiting for some arbitrary grade. They were no longer performing. Waiting. Hoping. They were becoming. They were.”

“Human relationships were strange. I mean, you were with one person a while, eating and sleeping and living with them, loving them, talking to them, going places together, and then it stopped. Then there was a short period when you weren't with anybody, then another woman arrived, and you ate with her and fucked her, and it all seemed so normal, as if you had been waiting just for her and she had been waiting for you. I never felt right being alone; sometimes it felt good but it never felt right.”

“She sat silently in her rocking chair. Some people are good at talking, but Granny Weatherwax was good at silence. She could sit so quiet and still that she faded. You forgot she was there. The room became empty.Tiffany thought of it as the I’m-not-here spell, if it was a spell. She reasoned that everyone had something inside them that told the world theywere there. That was why you could often sense when someone was behind you, even if they were making no sound at all. You were receiving their I-am-here signal.Some people had a very strong one. They were the people who got served first in shops. Granny Weatherwax had an I-am-here signal that bounced off the mountains when she wanted it to; when she walked into a forest, all the wolves and bears ran out the other side. She could turn it off, too. She was doing that now. Tiffany was having to concentrate to see her. Most of her mind was telling her that there was no one there at all.”

“Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .”

“You see, they think they're saving you, and you think you're saving them. That's where the trouble starts. Someone says, 'I saved you, now here's what I want.' And its the same with big countries and little ones, religious leaders and their followers, even husbands and wives. When things really work, though, it's because people realize that this is a lie, that, really, we all save one another. It's the way of the world. Things work out for the best when everyone makes it, together, when we manage to save each other. (from The Way of the World)”