“Where was I?""A different island," said old Tallow. Her voice was stern, but there was an ache in her look that Omakayas had never before seen. "An island called Spirit Island where everyone but you died of the itching sickness- you were the toughest one, the littlest one, and you survived them all.""You were sent here so you could save the others," she said. "Because you'd had the sickness, you were strong enough to nurse them through it. They did a good thing when they took you in, and you saved them for their good act. Now the circle that began when I found you is complete.”
In this quote from Louise Erdrich's novel, an elder named Old Tallow reveals to Omakayas that she was the sole survivor of a deadly sickness that swept through Spirit Island, where she had been found as a child. Old Tallow explains that Omakayas was spared because of her strength and resilience, and that she was meant to be the one to save the others on the island. This passage highlights themes of fate, resilience, and interconnectedness within the community. It emphasizes the idea that every individual has a purpose and plays a vital role in the circle of life.
In Louise Erdrich's novel, "The Birchbark House," the character Old Tallow tells Omakayas about her survival of a deadly sickness and how she was ultimately able to save others because of her strength and resilience. This theme of survival and the importance of community support and care is still relevant today. In our modern society, the story serves as a reminder of the value of empathy, compassion, and helping others in times of need. Just as Omakayas was able to save her community by caring for them during their sickness, we can all make a difference in the lives of others by offering our support and kindness.
In this passage from Louise Erdrich's novel, "The Birchbark House," old Tallow reminds Omakayas of the significant role she played in saving the people of Spirit Island from the itching sickness. Despite being the youngest and toughest survivor of the sickness, Omakayas was able to nurse others back to health, completing the circle of gratitude and survival.
This powerful passage from Louise Erdrich's novel raises thought-provoking questions about survival, purpose, and interconnectedness. Reflecting on the following questions may help you delve deeper into the themes presented:
“Wherever the family was, these two dogs, both six-year-old shepherd mixes, took up their posts at the central coming-and-going point. Gil called them concierge dogs. And it's true, they were inquisitive and accommodating. But they were not fawning or overly playful. They were watchful and thoughtful. Irene thought they had gravitas. Weighty demeanors. She thought of them as diplomats. She had noticed that when Gil was about to lose his temper one of the dogs always appeared and did something to divert his attention. Sometimes they acted like fools, but it was brilliant acting. Once, when he was furious about a bill for the late fees for a lost video, one of the dogs had walked right up to Gil and lifted his leg over his shoe. Gil was shouting at Florian when the piss splattered down, and she'd felt a sudden jolt of pride in the dog.”
“i want to hear what's happened to you," she said evenly after a while. she gestured in the direction, down river, of the butcher shop. "it's just that there is nowhere else to start," she said gently. "niether of us is the same. but i'm different because of small, good, manageable things. you're different because ... things i don't know.”
“When she shut her eyes, her mind grew alert. Her senses opened. All around her, she felt how quickly things formed and were consumed. How there was so much blind feeling. It was going on beyond the wall of her sight, out of her control. Unheard, unnoticed, the blood dropped into her hands and feet, so that she was anchored. Which she was glad for, because the light was so feeble and the blackness so strong that she felt as though she could drift away like a boat of skin, never to return, leaving only her crumpled dress.”
“Here is the most telling fact: you wish to possess me. Here is another fact: I loved you and let you think you could.”
“Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.”
“She slowly became convinced…that at the center of the universe not God but a tremendous deadness reigned. The stillness of a drunk God, passed out cold…She had learned of it in that house…where the drunks crashed…Things had happened to her there. She was neither raped nor robbed, nor did she experience God’s absence to any greater degree than other people did. She wasn’t threatened or made to harm anyone against her will. She wasn’t beaten, either, or deprived of speech or voice. It was, rather, the sad blubbering stories she heard in the house. Delphine witnessed awful things occurring to other humans. Worse than that, she was powerless to alter their fate. It would be that way all her life – disasters, falling like chairs all around her, falling so close they disarranged her hair, but not touching her.”