“Then she let him lick her fingers for her. He ran his tongue around the small ovals of her nails. This was the closest she could get to him without becoming food: she was in him, or part of her was in part of him. Sex was the other way around: While that was going on, he was in her. I'll make you mine, lovers said in old books. They never said, I'll make you me.”

Margaret Atwood
Love Positive

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“I'll make you mine, lovers said in old books. They never said, I'll make you me.”


“She did understand, or at least she understood that she was supposed to understand. She understood, and said nothing about it, and prayed for the power to forgive, and did forgive. But he can't have found living with her forgiveness all that easy. Breakfast in a haze of forgiveness: coffee with forgiveness, porridge with forgiveness, forgiveness on the buttered toast. He would have been helpless against it, for how can you repudiate something that is never spoken? She resented, too, the nurse, or the many nurses, who had attended my father in the various hospitals. She wished him to owe his recovery to her alone—to her care, to her tireless devotion. That is the other side of selflessness: its tyranny.”


“She imagines him imagining her. This is her salvation.In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?”


“There are things I need to ask her. Not what happened, back then in the time I lost, because now I know that. I need to ask her why. If she remembers. Perhaps she’s forgotten the bad things, what she said to me, what she did. Or she does remember them, but in a minor way, as if remembering a game, or a single prank, a single trivial secret, of the kind girls tell and then forget. She will have her own version. I am not the centre of her story, because she herself is that. But I could give her something you can never have, except from another person: what you look like from outside. A reflection. This is part of herself I could give back to her. We are like the twins in old fables, each of whom has been given half a key.”


“Better not to invent her in her absence. Better to wait until she's actually here. Then he can make her up as she goes along.”


“Oryx,” he says. “I know you’re there.” He repeats the name. It’s not even her real name, which he’d never known anyway; it’s only a word. It’s a mantra. Sometimes he can conjure her up. At first she’s pale and shadowy, but if he can say her name over and over, then maybe she’ll glide into his body and be present with him in his flesh, and his hand on himself will become her hand. But she’s always been evasive, you can never pin her down. Tonight she fails to materialize and he is left alone, whimpering ridiculously, jerking off all by himself in the dark.”