“It took Feyra some time to realise that she was not delirious: the citizens were wearing painted masks.From childhood she had heard the legend that the Venetians were half human, half beast.She knew that this could not be true, but in the swirling fog of this hellish city she almost believed it. The creatures seemed to stare at her down their warped noses from their blank and hollow eyes. And overlord of all was the winged lion - he was everywhere, watching from every plaque or pennant, ubiquitous and threatening.”

“His life was cheap to him. Perhaps that's why he rode faster than any other, perhaps that was why he had walked into the house of Aquila without the quickening of a heartbeat: because at the heart of his courage was the fact that he really did not care if he died. Such courage is not true courage. True courage is when a man quakes with fear in the face of death, yet still risks his life for something he cares about. Ricardo Bruni did not know this yet, but he was to learn it soon.”

“A world of words where the black characters printed on the parchment he held meant more to this monk than the people or places around him.”

“- Jesmo li uludo protratili zadnje dvije godine? Zar nismo već tada mogli ukrstiti naše puteve?- Ne mislim da smo ih protratili. Naši su se putevi ukrstili onoga dana kad smo se sreli. Samo smo još neko vrijeme morali putovati sami. Tada te nisam mogla prihvatiti. Previše se toga moralo učiniti - za previše toga iskupiti.”

“She drove down the street, talking to herself furiously. I loved them too much. God is punishing me for loving people the way I should love God. Something was wrong there, too, that God would punish her, but she could not be bothered to think it through, because she was tired of God. Demand, demand, demand, and never any good to come of it except loneliness and despair, it was all--Enough. She'd had enough of all this. She would have revenge. She would go to movies by herself again, and go out for dinner wherever she wanted, and she would have a tidy house and a little job.”

“[Picasso] loved...women for the sexual, carnivorous impulses they aroused in him. Mixing blood and sperm, he exalted women in his paintings, imposed his violence on them, and sentenced them to death once he felt their mystery had been discharged and the sexual power they instilled in him had dulled... Women were his prey. He was the Minotaur. These were bloody, indecent bullfights from which he always emerged the dazzling victor.”

“There were days when she’d open her eyes and be him for six hours in a row; she knew all his secrets and nothing he had done seemed wrong to her, she knew how it was, how things had been, she was there. There were days when he touched the tip of her nose and it was enough, a miracle of plenty.But who finds happiness interesting?”