“As it turned out, Ilsa Hermann not only gave Liesel Meminger a book that day. She also gave her a reason to spend time in the basement, her favorite place, first with Papa, then Max. She gave her a reason to write her own words, to see that words had also brought her to life."Don't punish yourself", she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”

“She gave her a reason to write her own words, to see that words had also brought her to life. "Don't punish yourself," she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”

“Don't punish yourself,' she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”

“And please," Ilsa Hermann advised her, "don't punish yourself, like you said you would. Don't be like me, Liesel.”

“For Liesel Meminger, the early stages of 1942 could be summed up like this:She became thirteen years of age. Her chest was still flat. She had not yet bled. The young man from her basement was now in her bed.***Q&A***How did Max Vandenburg end up in liesel's bed? He fell.”

“For at least twenty minutes she handed out the story. The youngest kids were soothed by her voice, and everyone else saw visions of the whistler running from the scene. Liesel did not. The book thief saw only the mechanics of the words--their bodies stranded on the paper, beaten down for her to walk on. Somewhere, too, in the gaps between a period and the next capital letter, there was also Max. She remembered reading to him when he was sick. It he in the basement? she wondered. Or is he stealing a glimpse of the sky again?”

“The point is, Ilsa Hermann had decided to make suffering her triumph. When it refused to let go of her, she succumbed to it. She embraced it. ”