“He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.”

“His soul sat up. It met me. Those kinds of souls always do - the best ones. The ones who rise up and say "I know who you are and I am ready. Not that I want to go, of course, but I will come." Those souls are always light because more of them have been put out. More of them have already found their way to other places.”

“Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping.”

“There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there he hoped to read one day. Liesel. His soul whispered it as I carried him. But there was no Liesel in that house. Not for me, anyway.”

“I know who you are and I am ready. Not that I want to go, of course, but I will come." Those souls are always light because more of them have been put out.”

“And I can promise you something, because it was a thing I saw many years later - a vision in the book thief herself - that as she knelt next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on in the alps of broken houses and played the accordion with kindness silver eyes and even a cigarette slouched on his lips. The bellows breathed and the tall man played for Liesel Meminger one last time as the sky was slowly taken away from her.”

“Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.”