“Make no mistake, the woman had a heart. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.”

“Steadily, the room shrank, till the book thief could touch the shelves within a few small steps. She ran the back of her hand along the first shelf, listening to the shuffle of her fingernails gliding across the spinal cord of each book. It sounded like an instrument, or the notes of running feet. She used both hands. She raced them. One shelf against the other. And she laughed. Her voice was sprawled out, high in her throat, and when she eventually stopped and stood in the middle of the room, she spent many minutes looking from the shelves to her fingers and back again. How many books had she touched? How many had she felt? She walked over and did it again, this time much slower, with her hand facing forward, allowing the dough of her palm to feel the small hurdle of each book. It felt like magic, like beauty, as bright lines of light shone down from a chandelier. Several times, she almost pulled a title from its place but didn't dare disturb them. They were too perfect.”

“Once in while a man or a woman--no, they were not men and women; they were Jews--would find Liesel's face among the crowd. They would meet her with their defeat, and the book thief could do nothing but watch them back in a long, incurable moment before they were gone again. She could only hope they could read the depth of sorrow in her face, to recognize that it was true, and not fleeting.She understood she was utterly worthless to these people. They could not be saved.Then, one human. Hans Hubermann.”

“I think of how she lives alone, just like me, and how she never had any real family, and how she only has sex with people. She never lets any love get in the way. I think she had a family once, but it was one of those beat-the-crap-out-of-each-other situations. There's no shortage of them around here. I think she loved them, and all they ever did was hurt her.”

“The point is, Ilsa Hermann had decided to make suffering her triumph. When it refused to let go of her, she succumbed to it. She embraced it. ”

“All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.”

“She gave her a reason to write her own words, to see that words had also brought her to life. "Don't punish yourself," she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”