“Papa would say a word and the girl would have to spell it aloud and then paint it on the wall, as long as she got it right. After a month, the wall was recoated. A fresh cement page.”
“She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake.She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back.Sleepy air seemed to have followed her.The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder.They breathed.German and Jewish lungs.”
“As it turned out, Ilsa Hermann not only gave Liesel Meminger a book that day. She also gave her a reason to spend time in the basement, her favorite place, first with Papa, then Max. She gave her a reason to write her own words, to see that words had also brought her to life."Don't punish yourself", she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”
“The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder. They breathed.German and Jewish lungs.”
“... I felt something and vowed that if I ever got a girl I would treat her right and never be bad or dirty to her or hurt her, ever. I vowed it and had all the confidence in the world that I would keep the vow.”
“She gave her a reason to write her own words, to see that words had also brought her to life. "Don't punish yourself," she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”
“Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her. He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)”