“Painted on shirts went over so well I thought, why not painted on pants? Well, the big shot manager at Krusty Burger didn't agree!”

“A painting that is well composed is half finished.”

“King of the Ruskin was my show last year, last May, in New College Long Room. I filled that old room with seven big paintings. Big, colourful paintings. King of the Ruskin included better work than Abstractionism. I’ve tried since to paint like that and I can’t. The King of the Ruskin paintings were it. I didn’t realise it at the time but they were the best paintings I would ever make. They were the paintings I wanted to see and they did everything I wanted painting to do at that time. So these are my last paintings. I will never paint again. But why didn’t I stop in the first place? No one ever knows when to stop. They just decline. For me, I had to kill my painting. With King of the Ruskin I had delivered the mortal wounds but one rarely has the pleasure of a quick and graceful exit. No, it has been slow, painful and distressing. Of course I am speaking in hindsight; I only realised it was the end with the randomly themed, scrappy, clustered paintings where it finally became apparent to me that I had no skills, no ideas, no interest, no pride and no pleasure in painting. I was like a dying cowboy, making a final, feeble bid at victory with random, aimless shots at an invisible enemy.”

“I continued, “The painting shows this fish with a big eye and a halo, floating in air, and underneath the fish are all these Native Americans having sex.” “What? What does that have to do with Custer’s Last Stand?” “Well, the painting is titled, Holy Mackerel, Look at All Those Fucking Indians.”

“Well, then, let’s not just trust the likelihood based on painting.”

“The pirates wanted my life, Vargen wanted my country, and my regents wanted to paint rainbows over reality and claim all was well.”