“nothing yet. I've been waiting.""for what?"she made no response. she could not tell him that she had been waiting for him.”

Milan Kundera

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Quote by Milan Kundera: “nothing yet. I've been waiting.""for what?"she m… - Image 1

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“she thought that after what she had been through during the invasion she would stop being petty and grow up, grow wise and strong, but she had overestimated herself”


“Once, when he had just lulled her to sleep but she had gone no farther than dream's antechamber and was therefore still responsive to him, he said to her, "Good-bye, I'm going now." "Where?" she asked in her sleep. "Away," he answered sternly. "Then I'm going with you," she said, sitting up in bed. "No, you can't. I'm going away for good," he said, going out into the hall. She stood up and followed him out, squinting. She was naked beneath her short nightdress. Her face was blank, expressionless, but she moved energetically. He walked through the hall of the flat into the hall of the building (the hall shared by all the occupants), closing the door in her face. She flung it open and continue to follow him, convinced in her sleep that he meant to leave her for good and she had to stop him. He walked down the stairs to the first landing and waited for her there. She went down after him, took him by the hand, and led him back to bed.Tomas came to this conclusion: Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).”


“...she merely wished to find a way out of the maze. She knew that she had become a burden to him: she took things too seriously, turning everything into a tragedy, and failed to grasp the lightness and amusing insignificance of physical love. How she wished she could learn lightness! She yearned for someone to help her out of her anachronistic shell.”


“Back at home, after some prodding from Tereza, he admitted that he had been jealous watching her dance with a colleague of his. "You mean you were really jealous?" she asked him ten times or more, incredulously, as though someone had just informed her she had been awarded a Nobel Peace prize. Then she put her arm around his waist and began dancing across the room. The step she used was not the one she had shown off in the bar. It was more like a village polka, a wild romp that sent her legs flying in the air and her torso bounding all over the room, with Tomas in tow. Before long, unfortunately, she bagan to be jealous herself, and Tomas saw her jealously not as a Nobel Prize, but as a burden, a burden he would be saddled with until not long before his death.”


“It was a curious game. This curiousness was evidenced, for example, in the fact that the young man, even though he himself was playing the unknown driver remarkably well, did not for a moment stop seeing his girl in the hitchhiker. And it was precisely this that was tormenting. He saw his girl seducing a strange man, and had the bitter privilege of being present, of seeing at close quarters how she looked and of hearing what she said when she was cheating on him (when she had cheated on him, when she would cheat on him). He had the paradoxical honor of being himself the pretext for her unfaithfulness.This was all the worse because he worshipped rather than loved her. It had always seemed to him that her inward nature was real only within the bounds of fidelity and purity, and that beyond these bounds she would cease to be herself, as water ceases to be water beyond the boiling point.”


“She had an overwhelming desire to tell him, like the most banal of women. Don't let me go, hold me tight, make me your plaything, your slave, be strong! But they were words she could not say.The only thing she said when he released her from his embrace was, "You don't know how happy I am to be with you." That was the most her reserved nature allowed her to express.”