“Marcus couldn’t believe it. Dead. A dead duck. OK, he'd been trying to hit it on the head with a piece of sandwich, but he tried to do all sorts of things, and none of them had ever happened before. He'd tried to get te highest score on the Stargazer machine in the kebab shop on Hornsey Road--nothing. He's tried to read Nicky’s thoughts by staring at the back of his head every maths lesson for a week--nothing. It really annoyed him that the only thing he'd ever achieved was something he hadn't really wanted to do that much in the first place. And anyway, since when did hitting a bird with a sandwich kill it? Kids must spend half their lives throwing things at the ducks in Regent's Park. How come he managed to pick a duck that pathetic? There must have been something wrong with it. It was probably about to die from a heart attack or something; it was just a coincidence. But if it was, nobody would believe him. If there were any witnesses, they'd only have seen the bread hit the duck right on the back of the head, and then seen it keel over. saw it die. They'd put two and two together and make five, and he'd be imprisoned for a crime he never committed. ... "What's that floating next to it?" Will asked. "Is that the bread you threw at it?" Marcus nodded unhappily. "That's not a sandwich, that's a bloody french loaf. No wonder it keeled over. That would've killed me.”
In this passage from Nick Hornby's novel, "Marcus couldn't believe it. Dead. A dead duck," the protagonist Marcus reflects on accidentally killing a duck with a piece of bread. Marcus is frustrated that the only thing he has accomplished was unintentional, and he rationalizes that the duck must have been weak or sick already. The incident serves as a comedic moment in the story, with Marcus's friend Will pointing out the absurdity of using a whole French loaf to hit the duck. This passage highlights Marcus's sense of helplessness and the unpredictability of life.
In this humorous excerpt from Nick Hornby's novel, the protagonist Marcus grapples with the unintended consequences of his actions. In today's age of social media and instant sharing, one small mistake or misinterpreted incident can quickly spiral out of control. The fear of being falsely accused or misunderstood is a sentiment that many can relate to in the digital age, where our every move is scrutinized and magnified. This passage serves as a reminder to consider the potential repercussions of our actions in a world where perceptions can easily be manipulated and distorted.
Marcus couldn’t believe it. Dead. A dead duck. OK, he'd been trying to hit it on the head with a piece of sandwich, but he tried to do all sorts of things, and none of them had ever happened before. He'd tried to get the highest score on the Stargazer machine in the kebab shop on Hornsey Road--nothing. He's tried to read Nicky’s thoughts by staring at the back of his head every maths lesson for a week--nothing. It really annoyed him that the only thing he'd ever achieved was something he hadn't really wanted to do that much in the first place. And anyway, since when did hitting a bird with a sandwich kill it? Kids must spend half their lives throwing things at the ducks in Regent's Park. How come he managed to pick a duck that pathetic? There must have been something wrong with it. It was probably about to die from a heart attack or something; it was just a coincidence. But if it was, nobody would believe him. If there were any witnesses, they'd only have seen the bread hit the duck right on the back of the head, and then seen it keel over. They'd put two and two together and make five, and he'd be imprisoned for a crime he never committed. ... "What's that floating next to it?" Will asked. "Is that the bread you threw at it?" Marcus nodded unhappily. "That's not a sandwich, that's a bloody french loaf. No wonder it keeled over. That would've killed me.” - Nick Hornby
Reading this passage from Nick Hornby's novel brings up several questions for self-reflection and discussion:
Reflect on the protagonist, Marcus, and his feelings of disappointment and disbelief over accidentally killing a duck. Have you ever experienced a similar sense of unexpected consequences from your actions?
Consider the themes of unintended consequences, guilt, and perception in this passage. How do these themes play out in your own life or in society as a whole?
How do societal expectations and potential misunderstandings impact our actions and perceptions of others? Have you ever felt misunderstood or judged unfairly for something you did or didn't do?
Discuss the idea of luck, coincidences, and perception of events in this passage. How much control do you believe we have over the outcomes of our actions, and how much is attributed to chance or external factors?
Reflect on the humor and irony present in this passage. How does humor help us navigate difficult or uncomfortable situations, and what role does it play in our understanding of complex events and emotions?
“Kids must spend half their lives throwing things at the ducks in Regent's Park. How come he managed to pick a duck that pathetic?”
“And it's not like you never do anything wrong ever, is it?' said Marcus. 'I mean...' He had to be careful here. He knew he couldn't say too much or even anything at all about the hospital stuff. 'I mean how come I got to know Will in the first place?'Because you threw a bloody great baguette at a duck's head and killed it, basically,' said Will.”
“In the old days, when he flew a lot, he'd never been able to get absorbed in a book until the plane had taken off, so he'd spent the pre-boarding time flicking through magazines and browsing in gift shops, and that's what the last couple of decades had felt like: one long flick through a magazine. If he'd known how long he was going to spend in the airport lounge of his own life, he'd have made different travel arrangements, but instead he'd sat there, sighing and fidgeting and, more often than was ever really acceptable, snapping at his traveling companions.”
“Do you need someone to talk to?" she said gently. "Oh. Thank you. No, no, I'm fine." He touched his face – he'd been crying harder than he'd realized. "You sure? You don't look fine." "No, really. I've just . . . I've just had a very intense emotional experience." He held out one of his iPod headphones, as if that would explain it. "On here." "You're crying about music?" The woman looked at him as if he were some kind of pervert. "Well," said Duncan. "I'm not crying about it. I'm not sure that's the right preposition." She shook her head and walked off.”
“The annoying thing about reading is that you can never get the job done. The other day I was in a bookstore flicking through a book called something like 1001 Books You Must Read Before You Die (and, without naming names, you should be aware that the task set by the title is by definition impossible, because at least four hundred of the books suggested would kill you anyway), but reading begets reading--that's sort of the point of it, surely?--and anybody who never deviates from a set list of books is intellectually dead anyway.”
“because dangling your legs over the precipice is nothing unless you're prepared to go that extra two inches, and none of us had been. We could tell each other and ourselves something different -- oh, I would have done it if she hadn't been there or he hadn't been there or if someone hadn't sat on my head -- but that fact of the matter was that we were all still around, and we'd all had ample opportunity not to be.”