“Aren't most romance heros, or heros in fiction of any kind, generally superior to real men? Same goes for heroines and real women.”

“The hero in a romance is the most important challenge the heroine must face and conquer. The hero is her real problem in the book, not whatever trendy issue or daring adventure is also going on in the subplot. In some way, shape, or form, in some manner either real or perceived on the heroine's part, the hero must be a source of emotional and, yes, sometimes physical risk. He must present a genuine threat.”

“The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.”

“In real life women often complain about the reluctance of their male partners to engage in meaningful dialogue, but in the world of romantic fantasy heroes willingly participate in verbal discussions. They fence, they flirt, they express their anger, they talk out the confounding details of their relationships with the heroine. No hero of romance will ever respond to the eternal feminine query, "What's wrong?" with the word, "Nothing." He will tell her what's wrong; they will argue about it, perhaps, but they will be communicating, and eventually, as they resolve their various conflicts, the war of words will end. One of the most significant victories the heroine achieves at the close of the novel is that the hero is able to express his love for her not only physically but also verbally.”

“Workaholics aren't heroes. They don't save the day, they just use it up. The real hero is home because she figured out a faster way”

“By living a life “against nature,” the deviant or pervert becomes a hero or heroine in decadent fiction.”