“He splashed into the water, his whole body, not with the reverent attitude of prayer, but with a desperate thirst; he buried his head under the water and drank deep, with his cheek against the cold stone of the riverbed, the water tumbling over his back, his calves. He drank and drank, lifted his head and shoulders above the water to gasp in the evening air, and then collapsed into the water again, to drink as greedily as before.It was a kind of prayer, though, he realized as he emerged, freezing cold as the water evaporated from his skin in the breeze of the dark morning.I am with you, he said to the Oversoul. I'll do whatever you ask, because I long for you to accomplish your purpose here.”

“What is a look of absolute fear?" Popescu asked. The doctor belched a few times, shifted in his chair, and answered that it was a kind of look of mercy, but empty, as if all that were left of mercy, after a mysterious voyage, was the skin, as if mercy were a skin of water, say, in the hands of a Tatar horseman who gallops away over the steppe and dwindles untile he vanishes, and then the horseman returns, or the ghost of the horseman returns, or his shadow, or the idea of him, and he has the skin, empty of water now, because he drank it all during his trip, or he and his horse drank it, and the skin is empty now, it's a normal skin, an empty skin, because after all the abnormal thing is a skin swollen with water, but this skin swollen with water, this hideous skin swollen with water doesn't arouse fear, doesn't awaken it, much less isolate it, but the empty skin does, and that was what he saw in the mathematician's face, absolute fear.”

“What did this portend? He still breathed, the instruments did not change, his heart beat on. But he called to Peter. Did this mean that he longed to live the life of his child of the mind, Young Peter? Or in some kind of delirium was he speaking to his brother the Hegemon? Or earlier, his brother as a boy. Peter, wait for me. Peter, did I do well? Peter, don't hurt me. Peter, I hate you. Peter for one smile of yours I'd die or kill. What was his message?”

“He was discovered with his feet stuck to the ceiling in the bathroom with his head stuffed in the toilet...”

“I think Bonzo died. I dreamed about it last night. I remembered the way he looked after I jammed his face with my head. I think I must have pushed his nose back into his brain. The blood was coming out of his eyes. I think he was dead right then.”

“Do you know why Satan is so angry all the time? Because whenever he works a particularly clever bit of mischief God uses it to serve his own Rigteous purposes.""So God uses wicked people as his tools?""God gives us the freedom to to do great evil, if we choose, then He uses his own freedom to create goodness out of that evil, for that is what He chooses.""So, in the long run, God always wins?""Yes, in the short run though it can be uncomfortable.”

“He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.”