“But, as I watch this film, I often think that the boy did not know what he was really running toward, that it was not the end zone which awaited him. Somewhere in that ten second dash the running boy turned to metaphor and the older man could see it where the boy couldn not. He would be good at running, always good at it, and he would always run away from the things that hurt him, from the people who loved him, and from the friends empowered to save him. But where do we run when there are no crowds, no lights, no end zones? Where does a man run? the coach said, studying the films of himself as a boy. Where can a man run when he has lost the excuse of games? Where can a man run or where can he hide when he looks behind him and sees that he is only pursued by himself?”

“The man running toward me is not a man, he is a boy. A shaggy-haired boy with a crease between his eyebrows. Will. Dull-eyed and mindless, but still Will. He stops running and mirrors me, his feet planted and his gun up. In an instant, I see his finger poised over the trigger and hear the bullet slide into the chamber, and I fire. My eyes squeezed shut. Can't breathe.The bullet hit him in the head. I know because that's where I aimed it.”

“Where does a man go when there are no more corners to turn, when he's running out of hope, out of luck, out of time?”

“I watch him walk away with the only family he has left and I know why Adam joined the army. I know why he suffered through being Warner's whipping boy. I know why he dealt with the horrifying reality of war, why he was so desparate to run away, so ready to run way as soon as possible. Why he's so determined to fight back. He's fighting for so much more than himself.”

“the running boy is inside every man, no matter how old he gets.”

“Look and you wlll see, that which was can never be. When they seek a boy your age, Run, you flippin moron, run!”