“Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
“If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
“Truth is a troublesome motherfucker unless it's handled properly”
“I spoke it soft, but close enough to brush against her lips. I spoke it quiet, but near enough so that the sound of it went twining through her hair. I spoke it hard and firm and dark and sweet.”
“But I'm collecting the story of his life. The real story.' Chronicler made a helpless gesture. 'Without the dark parts it's just some silly f—' Chronicler froze halfway through the word, eyes darting nervously to the side.Bast grinned like a child catching a priest midcurse. 'Go on,' he urged, his eyes were delighted, and hard, and terrible. 'Say it.'Like some silly faerie story,' Chronicler finished, his voice thin and pale as paper.Bast smiled a wide smile. 'You know nothing of the Fae, if you think our stories lack their darker sides. But all that aside, this is a faerie story, because you are gathering it for me.”
“I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enought to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.”
“With slow care rather than stealth we must approach the subject of a certain woman. Her wildness is of such degree, I fear approaching her too quickly even in a story. Should I move recklessly, I might startle even the idea of her into sudden flight.”