“When the hearthfire turns to blue,what to do? what to do?run outside, run and hidewhen his eyes are black as crow?where to go? where to go?near and far. Here they are.see a man without a face?move like ghosts from place to place.whats their plan? whats their plan?Chandrian. Chandrian”

“Do you know what it's like to run spellcheck for six hours? It's like a party in purgatory. A party in purgatory where all they have to drink is sugar-free Kool-aid, and the only game to play is Monopoly, and none of your friends show up.”

“But even this piece of flattery couldn't distract me from the fact that I was in the center of the Fae realm, blind, stark naked, and without the slightest idea of what was going on.”

“Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.That is what happened when Denna smiled at me.”

“A tree doesn't make a thunderstorm, but any fool knows where lightning's going to strike.”

“If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”

“I tend to think too much, Bast. My greatest successes came from decisions I made when I stopped thinking and simply did what felt right. Even if there was no good explanation for what I did." He smiled wistfully. "Even if there were very good reasons for me not to do what I did."Bast ran a hand along the side of his face. "So you're trying to avoid second-guessing yourself?"Kote hesitated. "You could say that," he admitted. "I could say that, Reshi," Bast said smugly. "You, on the other hand, would complicate things needlessly.”