“Theophilus Hopkins was a moderately famous man. You can look him up in the 1860 Britannica. There are three full columns about his corals and his corallines, his anemones and starfish. It does not have anything very useful about the man. It does not tell you what he was like. You can read it three times over and never guess that he had any particular attitude to Christmas pudding.”

“(From the story The Last Days of a Famous Mime)He said nothing. He was mildly annoyed at her presumption: that he had not thought this many, many times before.With perfect misunderstanding she interpreted his passivity as disdain.Wishing to hurt him, she slapped his face.Wishing to hurt her, he smiled brilliantly.”

“Charles loved her voice. It was so soft and blurred, like pastels. It made his neck tingle just to listen to her. It gave him the same delicious feeling he had as he hovered on the brink of sleep and this feeling - until now - had been the single most pleasant feeling in his life. It was the voice that coloured everything he now thought about her. It was shy and tentative and musical. Sometimes he did not manage to hear the words she said, but he did not let on about his deafness.”

“He was tender with her. He wiped her eyelids with his handkerchief, not noticing how soiled it was. It was stained with ink, crumpled, stuck together. Her lids were large and tender and the handkerchief was stiff, not nearly soft enough. He moistened a corner in his mouth. He was painfully aware of the private softness of her skin, of how the eyes trembled beneath their coverings. He dried the tears with an affection, a particularity, that had never been exercised before. It was a demonstration of 'nature.' He was a birth-wet foal rising to his feet.”

“She held out her hand, like a man. He hesitated, then took the hand and shook it. It was very warm. You could not help but be aware of the wild passage of blood on the other side of its wall, veins, capillaries, sweat glands, tiny factories in the throes of complicated manufacture. [He] looked at the eyes and, knowing how eyes worked, was astonished, not for the first time, at the infinite complexity of Creation, wondering how this thing, this instrument for seeing, could transmit so clearly its entreaty while at the same time—-Look, I am only an eye—-denying that it was doing anything of the sort.”

“But now she could not bear the way she sounded. She was not a person anyone could love....And thus fled to her room. There she wept, bitterly, an ugly sound punctuated by great gulps. She could not stop herself. She could hear his footsteps in the passage outside. He walked up and down, up and down.'Come in,' she prayed. 'Oh dearest, do come in.'But he did not come in. He would not come in. This was the man she had practically contracted to give away her fortune to. He offered to marry her as a favour and then he would not even come into her room.Later, she could smell him make himself a sweet pancake for his lunch. She thought this a childish thing to eat, and selfish, too. If he were a gentleman he would now come to her room and save her from the prison her foolishness had made for her. He did not come. She heard him pacing in his room.”

“If you ever read one of my books I hope you'll think it looks so easy. In fact, I wrote those chapters 20 times over, and over, and over, and that if you want to write at a good level, you'll have to do that too.”