“Yes,” said Mamma, “this is the worst of life, that love does not give us common sense but is a sure way of losing it. We love people, and we say that we are going to do more for them than friendship, but it makes such fools of us that we do far less, indeed sometimes what we do could be mistaken for the work of hatred.”

“works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.”

“As we live, our hearts turn colder. Cause pain is what we go through, as we become older. We get insulted by others, lose trust for those others. We get back stabbed by friends. It becomes harder for us to give others a hand. We get our heart broken by people we love, even that we give them all we have. Then we lose family over time. What else could rust the heart more over time? Blackgold.”

“Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.”

“we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously”

“He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world.”

“He probably wanted real power, the power to direct one's environment towards a harmonious end, and not fictitious power, the power to order and be obeyed; and he must have known that he had not been able to exercise real power over Rome. It would have been easier for him if what we were told when we were young was true, and that the decay of Rome was due to immorality. Life, however, is never as simple as that, and human beings rarely so potent. There is so little difference between the extent to which any large number of people indulge in sexual intercourse, when they indulge in it without inhibitions and when they indulge in it with inhibitions, that it cannot often be a determining factor in history. The exceptional person may be an ascetic or a debauchee, but the average man finds celibacy and sexual excess equally difficult. All we know of Roman immorality teaches us that absolute power is a poison, and that the Romans, being fundamentally an inartistic people, had a taste for pornography which they often gratified in the description of individuals and families on which that poison had worked.”