“When everything broken is broken, and everything dead is dead,and the hero has looked into the mirror with complete contempt,and the heroine has studied her face and its defectsremorselessly, and the pain they thought might,as a token of their earnestness, release them from themselveshas lost its novelty and not released them,and they have begun to think, kindly and distantly,watching the others go about their days—likes and dislikes, reasons, habits, fears—that self-love is the one weedy stalkof every human blossoming, and understood,therefore, why they had been, all their lives, in such a fury to defend it, and that no one—except some almost inconceivable saint in his poolof poverty and silence—can escape this violent, automaticlife’s companion ever, maybe then, ordinary light,faint music under things, a hovering like grace appears.”

“A Faint Music by Robert HassMaybe you need to write a poem about grace.When everything broken is broken,and everything dead is dead,and the hero has looked into the mirror with complete contempt,and the heroine has studied her face and its defectsremorselessly, and the pain they thought might,as a token of their earnestness, release them from themselveshas lost its novelty and not released them,and they have begun to think, kindly and distantly,watching the others go about their days—likes and dislikes, reasons, habits, fears—that self-love is the one weedy stalkof every human blossoming, and understood,therefore, why they had been, all their lives,in such a fury to defend it, and that no one—except some almost inconceivable saint in his poolof poverty and silence—can escape this violent, automaticlife’s companion ever, maybe then, ordinary light,faint music under things, a hovering like grace appears.As in the story a friend told once about the timehe tried to kill himself. His girl had left him.Bees in the heart, then scorpions, maggots, and then ash.He climbed onto the jumping girder of the bridge,the bay side, a blue, lucid afternoon.And in the salt air he thought about the word “seafood,”that there was something faintly ridiculous about it.No one said “landfood.” He thought it was degrading to the rainbow perchhe’d reeled in gleaming from the cliffs, the black rockbass,scales like polished carbon, in beds of kelpalong the coast—and he realized that the reason for the wordwas crabs, or mussels, clams. Otherwisethe restaurants could just put “fish” up on their signs,and when he woke—he’d slept for hours, curled upon the girder like a child—the sun was going downand he felt a little better, and afraid. He put on the jackethe’d used for a pillow, climbed over the railingcarefully, and drove home to an empty house.There was a pair of her lemon yellow pantieshanging on a doorknob. He studied them. Much-washed.A faint russet in the crotch that made him sickwith rage and grief. He knew more or lesswhere she was. A flat somewhere on Russian Hill.They’d have just finished making love. She’d have tearsin her eyes and touch his jawbone gratefully. “God,”she’d say, “you are so good for me.” Winking lights,a foggy view downhill toward the harbor and the bay.“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”“Yes,” she’d say and cry. “I tried so hard,” sobbing now,“I really tried so hard.” And then he’d hold her for a while—Guatemalan weavings from his fieldwork on the wall—and then they’d fuck again, and she would cry some more,and go to sleep.And he, he would play that sceneonce only, once and a half, and tell himselfthat he was going to carry it for a very long timeand that there was nothing he could dobut carry it. He went out onto the porch, and listenedto the forest in the summer dark, madrone barkcracking and curling as the cold came up.It’s not the story though, not the friendleaning toward you, saying “And then I realized—,”which is the part of stories one never quite believes.I had the idea that the world’s so full of painit must sometimes make a kind of singing.And that the sequence helps, as much as order helps—First an ego, and then pain, and then the singing”

“I think humans might be like butterflies; people die every day without many other people knowing about them, seeing their colors, hearing their stories... and when humans are broken, they're like broken butterfly wings; suddenly there are so many beauties that are seen in different ways, so many thoughts and visions and possibilities that form, which couldn't form when the person wasn't broken! So it is not a very sad thing to be broken, after all! It's during the times of being broken, that you have all the opportunities to become things unforgettable! Just like the broken butterfly wing that I found, which has given me so many thoughts, in so many ways, has shown me so many words, and imaginations! But butterflies need to know, that it doesn't matter at all if the whole world saw their colors or not! But what matters is that they flew, they glided, they hovered, they saw, they felt, and they knew! And they loved the ones whom they flew with! And that is an existence worthwhile!”

“Everything that's alvie was born, and everything that was born has got to die. There's no getting around it. It's the law of the universe."The universe does not have laws. It has habits. And habits can be broken.”

“Upset by two nostalgias facing each other like two mirrors, he lost his marvelous sense of unreality and he ended up recommending to all of them that they leave Macondo, that they forget everything he had taught them about the world and the human heart, that they shit on Horace, and that wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.”

“You know," Daddy said, "it's some that can live their whole life out without asking about it and it's others has to know why it is, and this boy is one of the latters. He's going to be into everything!”