“God and chance belonged to art, eternity and labyrinths to science.”

“For her, reading was directly linked to pleasure, not to knowledge or enigmas or constructions or verbal labyrinths…”

“No one knew what she was doing in Colonia Hidalgo, although it was most likely, according to the police, that she'd been taking a walk and had come upon death purely by chance.”

“Amalfitano remembered a time when he believed that nothing happened by chance, everything happened for some reason, but when was that time? he couldn't remember, all he could remember was that at some point thiw was what he believed...”

“That's what art is, he said, the story of a life in all its particularity. It's the only thing that really is particular and personal. It's the expression and, at the same time, the fabric of the particular. And what do you mean by the fabric of the particular? I asked, supposing he would answer: Art. I was also thinking, indulgently, that we were pretty drunk already and that it was time to go home. But my friend said: What I mean is the secret story.... The secret story is the one we'll never know, although we're living it from day to day, thinking we're alive, thinking we've got it all under control and the stuff we overlook doesn't matter. But every damn thing matters! It's just that we don't realize. We tell ourselves that art runs on one track and life, our lives, on another, we don't even realize that's a lie.”

“The Russians opened his mouth and with a pair of pliers the Germans used for other purposes they seized his tongue and yanked. The pain made tears spring to his eyes and he said, or rather shouted, the word coño, cunt. With the pliers in his mouth the exclamation was transformed, coming out as the word kunst. The Russian who spoke German stared at him in surprise. The Sevillan shouted Kunst, Kunst, and wept in pain. The word Kunst, in German, means art, and that was how the bilingual soldier heard it and he said that the son of a bitch was an artist or something. The soldiers who were torturing the Sevillan removed the pliers along with a little piece of tongue and waited, momentarily hypnotized by the discovery. Art. The thing that soothes wild beasts.”

“Ivanov's fear was of a literary nature. That is, it was the fear that afflicts most citizens who, one fine (or dark) day, choose to make the practice of writing, and especially the practice of fiction writing, an integral part of their lives. Fear of being no good. Also fear of being overlooked. But above all, fear of being no good. Fear that one's efforts and striving will come to nothing. Fear of the step that leaves no trace. Fear of the forces of chance and nature that wipe away shallow prints. Fear of dining alone and unnoticed. Fear of going unrecognized. Fear of failure and making a spectacle of oneself. But above all, fear of being no good. Fear of forever dwelling in the hell of bad writers.”