“He thought of his old tapes, the ones he'd had for years, the ones he'd used over and over again. Their silence was always different to the silence of a new tape: it was loaded, prickly with things recorded and erased; a silence that was like ghosts. That house was an old tape masquerading as a new one. It had recorded and erased, but it was pretending it had just come out of the cellophane. It had ghosts, but it wasn't owning up to them.”

“He wasn't a man, but a tape recorder, repeating catch phrases and old slogans without any thought to the concepts behind them, a dog stuck in the training of his youth and faithfully executing his tasks long after his master had moved on.”

“Sometimes John had recorded new compositions, or lines from his new poems. Sometimes he'd just record a busy night in The Green Man. Sometimes sheep, seals, skylarks, the wind turbine. If Liam were home there would be some Liam. The summer fair. The Fastnet Race. I would unfold my map of Clear Island. Those tapes prised the lid off homesickness and rattled out the contents, but always at the bottom was solace.”

“But never in his saddest dreams had he thought he'd spend his last years dusting this enormous old house for no one at all.”

“To me, making a tape is like writing a letter – there's a lot of erasing and rethinking and starting again, and I wanted it to be a good one.”

“He loops his arm over my shoulder and we watch the waves in silence. We've had so many silences between us these last few months, bitter ones, loaded ones, empty ones, and hurtful ones. This one is perfect. It says things that words can't.”