“It has been an assault on her senses: smells that suddenly overpower her, and heat she can taste, thick as dust on her tongue. Not only does she feel powerless in the face of Indian bureaucracy, but as further punishment, the torrential downpours also keep them trapped inside Krishnan’s parents’ flat.”

shilpi somaya gowda
Courage Neutral

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“She goes through the same motions as every other day, but something has shifted. It feels as if someone has picked up her world and tilted it off its axis. Everything familiar to her is slipping away. Kris and Asha not only don’t need her, but they also can’t seem to tolerate her in their lives any longer, betraying her to make their plans.”


“Being a woman in India is an altogether different experience. You can’t always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn’t quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan’s arrival, she will finally get her granddaughter.”


“And she knew her defiance in escaping his grasp, even temporarily, had shown Jasu the depth of her strength. In the months afterward, though he behaved awkwardly, he had allowed her the time and space she needed. It was the first genuine show of respect he had made toward her in their four years of marriage. Jasu’s parents made no such concession, their latent disappointment growing into relentless criticism of her for failing to bear a son.Kavita walks outside and spreads her mat on the rough stone steps, where she sits facing the rising sun in the eastShe lights the small ghee-soaked diya and thin stick of incense, and then closes her eyes in prayer. The wisp of fragrant smoke slowly circles its way up into the air and around her. She breathes deeply and thinks, as always, of the baby girls she has lost. She rings the small silver bell and chants softly. She sees their faces and their small bodies, she hears their cries and feels their tiny fingers wrap around hers. And always, she hears the sound of Usha’s desperate cry echoing behind the closed doors of the orphanage. She allows herself to get lost in the depths of her grief. After she has chanted and sung and wept for some time, she tries to envision the babies at peace, wherever they are. She pictures Usha as a little girl, her hair wound in two braids, each tied with a white ribbon. The image of the girl in her mind is perfectly clear: smiling, running, and playing with children, eating her meals and sleeping alongside the others in the orphanage.Every morning, Kavita sits in the same place outside her home with her eyes closed until the stormy feelings peak and then, very gradually, subside. She waits until she can breathe evenly again. By the time she opens her eyes, her face is wet and the incense has burned down to a small pile of soft ash. The sun is a glowing orange ball on the horizon, and the villagers are beginning to stir around her. She always ends her puja by touching her lips to the one remaining silver bangle on her wrist, reconciling herself to the only thing she has left of her daughters. These daily rituals have brought her comfort and, over time, some healing. She can carry herself through the rest of the day with these peaceful images of Usha in her mind. Each day becomes more bearable. As days turn to weeks, and weeks to months, Kavita feels her bitterness toward Jasu soften. After several months, she allows him to touch her and then, to reach for her at night.”


“She knows that making it to the orphanage in the city is the only chance Usha has. Usha, dawn. The name came to her in the quiet hours of early morning after the midwife left them alone. It echoed in her mind as she gazed at her baby girl, trying to memorize every detail of her face. Amid the first rays of light that crept into the hut, as the cocks crowed the daybreak, Kavita silently named her daughter.”


“Somer reclines in her airplane seat, watching through the window as the glimmering lights of Mumbai recede into the darkness of night. In the seat next to her, Asha is already asleep, her head and pillow resting on Somer’s lap, her feet in Krishnan’s. They should both try to sleep as well, but she knows Krishnan, like her, is reluctant to disturb Asha. He extends his hand to Somer, and she takes it. They rest their interlocking hands on Asha’s sleeping body between them, just as they did the first time they made this journey.”


“But most of all, when Somer closes her eyes, she imagines the moment she will hold her baby for the first time. She keeps Asha’s photo in her pocket and looks at it often. That one photo vaporized her doubts and made everything come to life. She lay awake at night, picturing her daughter’s sweet face.”