“During the fifth inning, something came to the edge of the woods and looked at her. Flies and noseeums made a cloud around its rudiment of a face. In the specious brilliance of its eyes was a complete history of nothing. It stood there for a long time.”

“[Eddie] cried out but his cry was lost in the golden blast of some tremendous horn. It came from the top of the Tower, and seemed to fill the world. As that note of warning held and drew out over the field where he stood, blackness welled from the windows which girdled the Tower. It overspilled them and spread across the sky in flaggy streams which came together and formed a growing blotch of darkness. It did not look like a cloud; it looked like a tumor hanging over the earth. The sky was blotted out. And, he saw, it was not a cloud or a tumor but a shape, some tenebrous, cyclopean shape racing toward the place where he stood.”

“She looks like the type that might freak out. It's something in the eyes, Frannie. It says if you shoot my sacred cows, I'll shoot yours.”

“He did it now, holding it up before his eyes as he had as a boy, and it did its old, old trick. Through the floating snow you could see a little gingerbread house with a path leading up to it. The gingerbread shutters were closed, but as an imaginative boy you could fancy that one of the shutters was being folded back (as indeed, one of them seemed to be folding back now) by a long white hand, and then a pallid face would be looking out at you, grinning with long teeth, inviting you into this house beyond the world in its slow and endless fantasy-land of false snow, where time was a myth. The face was looking out at him now, pallid and hungry, a face that would never look on daylight or blue skies again. It was his own face.He threw the paperweight into the corner and it shattered. He left without waiting to see what might leak out of it.”

“Later, going home, I realized they didn't look alike at all; what made them seem to was the aftermath of stress and the lingering of sorrow. It's strange how pain marks our faces, and makes us look like family.”

“My friend wants to get moving and so do I,' Eddie said. 'We've got miles to go yet.'I know that. It's on your face, son. Like a scar.'Eddie was fascinated by the idea of duty and ka as something that left a mark, something that might look like decoration to one eye and disfigurement to another. Outside, thunder cracked and lightning flashed.”

“I don't want to see it anymore. It's lousy. And it's a cheat. You build it all around something... set yourself on something... and then you don't want it. Isn't it too bad the great truths are all such lies?”