“It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.”
“My advice to women who habitually gravitate toward musicians is that they learn how to play an instrument and start making music themselves. Not only will they see that it's not that hard, but sometimes I think women just want to be the very thing they think they want to sleep with. Because if you're bright enough--no offense, Tawny Kitaen--sleeping with a musician probably won't be enough for you to feel good about yourself. Even if he writes you a song for your birthday. Don't you know that a musician who writes a song for you is like a baker you're dating making you a cake? Aim higher.”
“If you make something your life's work, make sure it's something you can feel proud of when you're an old relic like me.”
“It's sweet and everything, but it's like you're not even there sometimes. It's great that you can listen and be a shoulder to someone, but what about when someone doesn't need a shoulder? What if they need the arms or something like that? You can't just sit there and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things." "Like what?" I asked. My mouth was dry. "I don't know. Like take their hands when the slow song comes up for a change. Or be the one who asks someone for a date. Or tell people what you need. Or what you want.”
“If you listen, you can hear it.The city, it sings.If you stand quietly, at the foot of a garden, in the middle of the street, on the roof of a house.It's clearest at night, when the sound cuts more sharply across the surface of things, when the song reaches out to a place inside you.It's a wordless song, for the most, but it's a song all the same, and nobody hearing it could doubt what it sings. And the song sings the loudest when you pick out each note.”
“I like listening to music, but only the kind you play, absolute music, the kind that makes you feel that someone is rattling at the doors if heaven and hell. I like music very much, I think, because it's so unconcerned with morality.”