“My nightmares are usually about losing you. I'm okay once I realize you're here.”

“Peeta, how come I never know when you're having a nightmare?” I say.“I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says.“You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.“It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.”

“Once I'm on my feet I realize escape might not be so easy.”

“What about Gale?""He's not a bad kisser either," I say shortly. "And it was okay with both of us? You kissing the other?" He asks. "No. It wasn't okay with either of you. But I wasn't asking your permission," I tell him. Peeta laughs again, coldly, dismissively. "Well, you're a piece of work, aren't you?”

“And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen when we get home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.”

“Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.”

“My spirit. This is a new thought. I'm not sure exactly what it means, but it suggests I'm a fighter. In a sort of brave way. It's not as if I'm never friendly. Okay, maybe I don't go around loving everybody I meet, maybe my smiles are hard to come by, but i do care for some people.”