“It is in adolescence that most of us grasp that life--our own life--is a problem to be solved, that a set of personal unknowns must now be factored together with the frightening variables of experience. The future suddenly appears--it is the space upon which the answers will be inscribed.”

“...a novel for me is a pretext, a way of starting up and sustaining a complicated and many layered inner exchange, a to-and-fro which I long ago discovered that I need in order to locate myself in the world. Reading...keeps the inner realm open, susceptible. Involvement in a book sets things going at a depth. If I cannot sink into some virtual 'other' place or triangulate my experience with that of another, I feel that my life is lacking the shadows and overtones and illusion of added dimension that imagination provides. It feels flat to me.”

“We never know, do we, if the future is just more of the present pushed forward, or whether the look and feel, not to mention the fundamental essence of life might not be changing”

“I read novels to indulge in a concentrated and directed inner activity that parallels -- and thereby tunes up, accentuates -- my own inner life. ”

“Everything in contemporary society discourages interiority. More and more of our exchanges take place via circuits, and in their very nature those interactions are such as to keep us hovering in the virtual now, a place away from ourselves.”

“To read, when one does so of one's own free will, is to make a volitional statement, to cast a vote; it is to posit an elsewhere and to set off toward it.”

“What reading does, ultimately, is keep alive the dangerous and exhilarating idea that a life is not a sequence of lived moments, but a destiny...the time of reading, the time defined by the author's language resonating in the self, is not the world's time, but the soul's. The energies that otherwise tend to stream outward through a thousand channels of distraction are marshaled by the cadences of the prose; they are brought into focus by the fact that it is an ulterior, and entirely new, world that the reader has entered. The free-floating self--the self we diffusely commune with while driving or walking or puttering in the kitchen--is enlisted in the work of bringing the narrative to life. In the process, we are able to shake off the habitual burden of insufficient meaning and flex our deeper natures.”