“There was a metal rod inside of Colin. The rod went from his stomach to the middle of his head. It was made of steel and sugar, and had been dissolving inside of Colin for ten or fifteen years, slow and sweet, above and behind his tongue; and he could taste it in that way, like an aftertaste, removed and seeping and outside of the mouth. Sometimes he’d glimpse it with the black, numb backs of his eyes. But what he really wanted was to wrench it out. Cut it up and chew it. Or melt it. Bathe in the hard, sweet lava of it.”

“But then his parents changed. A year of California had changed them. They stopped sending money. Greg was forced to go out into the world, to interact with real people. And he was glad of this. He had always wanted to be a normal person. To be at ease in society. He had just been too scared to try. But now he was forced to, and so he did–he went and got a job at the public library. He was not quite a librarian, but close. Greg was a shelver. There would be carts of books to shelve, then there would be no more carts of books to shelve, then there would be carts of books to shelve.As a shelver, Greg felt that life was passing him by in a slow and distant, but massive, way–like the moon.”

“Colin didn’t want to go back to his room. He walked around for a very long time, looking down at the sidewalks and streets, and thought of the things he and Dana might say to each other if she were with him. And every once in a while he would catch himself smiling and laughing a little, and it was those moments right after—as, having lapsed into fantasy, there was a correction, a moment of nothing and then a loose and sudden rush, back into the real world in a trick of escape, as if to some new place of possibilities—that he felt at once, and with clarity, most exhilarated, appreciative, disappointed, and accepting.”

“He sometimes felt that life was something that had already risen, and all of this, the Jackson Pollack of spring, summer, and fall, the vague refrigeration and tinfoiled sky of wintertime, was just a falling, really, originward, in a kind of correction, as if by spritual gravity, towards the wiser consciousness---or consciousnessless, maybe; could gravity trick itself like that?---of death. It was a kind of movement both very slow and very fast; there was both too much and not enough time to think.”

“I won,” said Chelsea’s dad, and went to give Chelsea a high-five, but missed, as they were standing too close.“My fault,” he said. “That was my fault.”“Oh,” Chelsea said.And he stepped back a little and tried again, but Chelsea, distracted now by something—maybe the plant in the far corner, standing and waiting like a person in a dream; or maybe the green shoe or some other thing that was out there and longing, to be looked at, and taken—wasn’t ready, and their hands, his then hers, passed through the air in a kind of wave, a little goodbye.”

“Though she’d begun to get a bit fat that winter, it was in February, around when her father found a toy poodle (sitting there, in the side yard, watchful and waiting as a person), and adopted it, that a weightlessness entered into Chelsea’s blood—an inside ventilation, like a bacteria of ghosts—and it was sometime in the fall, before her 23rd birthday, that her heart, her small and weary core, neglected now for years, vanished a little, from the center out, took on the strange and hollowed heaviness of a weakly inflated balloon.”

“Garret went across the street to the library. There was a hole in the sidewalk the size of a bathtub. Construction was being done, was always being done. It was the journey that mattered, Garret thought woozily, the getting-there part. The mayor, and then the president, had begun saying that. "And where are we going?" the mayor had asked. "When will we get there? What will happen to us once we get there?" He really wanted to know.”