“The imagination is the goal of history. I see culture as an effort to literally realize our collective dreams.”

“If we write our dreams and goals down, we dramatically increase our odds of realization. If we share them with others, they become potent and alive.”

“The incompatibility here [between some anthropologies] rests with basic attitudes toward cultural others, which in turn rests on fundamentally different understandings of history. The one sees the Other as different and *separate,* a product of its own history and carrying its own hitoricity...The second sees the Other as different but *connected,* a product of a particular history that is itself intertwined with a larger set of economic, political, social, and cultural processes to such an extent that analytical separation of "our" history and "their" history is impossible. In this view, there are no cultures-outside-of-history to be reconstructed, no culture without history, no culture or society "with its own structure and history" to which world-historical forces arrive.”

“I am a collection of the obsolete, a relic of the damned, of the lost and strayed. I am the waylaid pieces of history which sank out of sight in all of our pasts. Such an accumulation of riffraff has never before been imagined.”

“Dreams of flying have haunted the collective imagination since time immemorial.”

“Museums hold collections in trust for future generations. It is our responsibility to see that these objects—representing the cultural heritage of more than 8,000 years of civilization—are passed on to the next generation . . . . The next generation may choose to look at objects afresh—without our carefully collected input—and form its own opinions about their purpose, history or intended use. What is important is that future observers have at their disposal the records of what was known or believed at the time.”