“Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!”

“Suicide was against the law. Johnny had wondered why. It meant that if you missed, or the gas ran out, or the rope broke, you could get locked up in prison to show you that life was really very jolly and throughly worth living.”

“She sat silently in her rocking chair. Some people are good at talking, but Granny Weatherwax was good at silence. She could sit so quiet and still that she faded. You forgot she was there. The room became empty.Tiffany thought of it as the I’m-not-here spell, if it was a spell. She reasoned that everyone had something inside them that told the world theywere there. That was why you could often sense when someone was behind you, even if they were making no sound at all. You were receiving their I-am-here signal.Some people had a very strong one. They were the people who got served first in shops. Granny Weatherwax had an I-am-here signal that bounced off the mountains when she wanted it to; when she walked into a forest, all the wolves and bears ran out the other side. She could turn it off, too. She was doing that now. Tiffany was having to concentrate to see her. Most of her mind was telling her that there was no one there at all.”

“She never sent the castle to sleep”, said Granny, “that’s just an old wife’s tale. She just stirred up time a little. It’s not as hard as people think, everyone does it all the time. It’s like rubber, is time, you can stretch it to suit yourself.”Magrat was about to say: That’s not right, time is time, every second lasts a second, that’s its job. Then she recalled weeks that had flown past and afternoons that had lasted forever. Some minutes had lasted hours, some hours had gone past so quickly she hadn’t been aware they’d gone past at all.“But that’s just people’s perception, isn’t it?”“Oh yes”, said Granny, “of course it is, it all is, what difference does that make?”

“Granny looked up at the zombie. He was - or, technically, had been - a tall, handsome man. He still was, only now he looked like someone who had walked through a room full of cobwebs.'What's your name, dead man?' she said.”

“There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her."The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt."But I can't do none of that stuff. That wouldn't be Right."She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.”

“Be one of the crowd? It went against everything a wizard stood for, and a wizard would not stand for anything if he could sit down for it, but even sitting down, you had to stand out.”