“That's a nice song," said young Sam, and Vimes remembered that he was hearing it for the first time. "It's an old soldiers' song," he said. "Really, sarge? But it's about angels." Yes, thought Vimes, and it's amazing what bits those angels cause to rise up as the song progresses. It's a real soldiers' song: sentimental, with dirty bits. "As I recall, they used to sing it after battles," he said. "I've seen old men cry when they sing it," he added. "Why? It sounds cheerful." They were remembering who they were not singing it with, thought Vimes. You'll learn. I know you will.”
“It was the way he wore the place. You expected him any moment to break into the kind of song that has suspicious rhymes and phrases like "my kind of town" and "I wanna be a part of it" in it; the kind of song where people dance in the street and give the singer apples and join in and a dozen lowly matchgirls suddenly show amazing choreographical ability and everyone acts like cheery lovable citizens instead of the murderous, evil-minded, self-centered people they suspect themselves to be. But the point was that if Carrot had erupted into a song, people WOULD have joined in. Carrot could have jollied up a circle of standing stones to form up behind him and do a rumba.”
“Hah!" said Granny Weatherwax. "I should just say it is a folk song! I knows all about folk songs. Hah! You think you're listenin' to a nice song about...cuckoos and fiddlers and nightingales and whatnot, and then it turns out to be about...something else entirely," she added darkly.”
“Nothing’s louder than theend of a song that’s always been there.”
“You can't trust folk songs. They always sneak up on you.”
“I REMEMBER WHEN ALL THIS WILL BE AGAIN.”