“She sat silently in her rocking chair. Some people are good at talking, but Granny Weatherwax was good at silence. She could sit so quiet and still that she faded. You forgot she was there. The room became empty.Tiffany thought of it as the I’m-not-here spell, if it was a spell. She reasoned that everyone had something inside them that told the world theywere there. That was why you could often sense when someone was behind you, even if they were making no sound at all. You were receiving their I-am-here signal.Some people had a very strong one. They were the people who got served first in shops. Granny Weatherwax had an I-am-here signal that bounced off the mountains when she wanted it to; when she walked into a forest, all the wolves and bears ran out the other side. She could turn it off, too. She was doing that now. Tiffany was having to concentrate to see her. Most of her mind was telling her that there was no one there at all.”

“...Granny Weatherwax, who had walked nightly without fear in the bandit-haunted forests of the mountains all her life in the certain knowledge that the darkness held nothing more terrible than she was...”

“Later, while she was sleeping, she woke to the sound of Ray moving through the house. At first she confused. She thought she was still married to Bill. Then, when she had everythbing straight in her head, shame washed over her because she had denied her first husband when she had told Ray that no man had ever been as good to her as he had. But it was true, wasn't it? She lay in bed, listening to him opening cabinets, and she knew it was impossible to say what was between people, and the longer you were with someone, the harder it was to even come close. All she knew was that once she had been with Bill and now she was with Ray. She had come out of her old life and into a new one, and even if she wished for it, which she didn't-not really, she didn't, not even in her heart of hearts-she couldn't go back.~Clare”

“Clarissa had a theory in those days—they had heaps of theories, always theories, as young people have. It was to explain the feeling of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not “here, here, here“; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter—even trees, or barns.”

“Anyway, how can you say things like that? You don't know me at all." She wasn't really caught up in this game, but she was enjoying it, as she had enjoyed the dozens of declarations that had been made to her since she was eleven. Her earliest memories were of being told how beautiful she was. Something in her never believed the words, never felt satisfied. It wasn't modesty; it was a craving for more proof than anyone had ever yet given her. Her mind worked constantly at trying to understand for herself exactly what other people saw when they looked at her. She could never grasp it whole and living. Her deepest fantasy was to step outside of her skin and look at herself and find out just what people were thinking about. She spent her life experimenting with people to see how she could make them react, as if, in their response, she could discover herself.”

“She had defeated loneliness by bringing to life the books that peopled her imagination and making friends of them.With devastating clarity she saw that her ability was not only a panacea for unhappiness. It was her lifeblood. Part of the very fiber of her being. And here, in Hollywood, it could be fulfilled. She didn't want to be an actress. She was one. All she had to do to be a star was to be true to herself.”