“Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.”
“The orange sun is rolling across the sky like a severed head, gentle light glimmers in the ravines among the clouds, the banners of the sunset are fluttering above our heads. The stench of yesterday’s blood and slaughtered horses drips into the evening chill.”
“Sometimes during the night, your father awakened. He rose from his bed, staggered across the room, and found the strength to raise the window sash. He called your mother's name with what little voice he had, and he called yours, too, and your brother, Joe. And he called for Mickey. At that moment, it seemed, his heart was spilling out, all the guilt and regret. Perhaps he felt the light of death approaching. Perhaps he only knew you were all out there somewhere, in the streets beneath his window. He bent over the ledge. The night was chilly. The wind and damp, in his state, were too much. He was dead before dawn.”
“He no sooner saw the woman than he saw the aftermath of her - his marriage proposal and her acceptance, the home they would set up together, the drawn rich silk curtains leaking purple light, the bed sheets billowing like clouds, the wisp of aromatic smoke winding from the chimney - only for every wrack of it - its lattice of crimson roof tiles, its gables and dormer windows, his happiness, his future - to come crashing down on him in the moment of her walking past.”
“Now I think of the starling flocks that move across the stripped winter landscape at home; how you'll hear and look up to this great rush of birds, lifting and diving and turning. I think of the ravens, afloat on the air streams. Of the crows, going home at the fade of light, hundreds on hundreds, flowing and flowing, the winter sky filled with their tide.Dark birds, ruffianly dark birds, stronger than birds of light and better survivors. They are the undervoice, scavenging life, living off gleanings. Uncivilised. Shameless. Outside the law. They allow the return of the soul.”
“There are seven windows in the Queen's bedroom in the Citadel that is the center of the City that is on the lake island called the Hub in the middle of the world.Two of the seven windows face the tower stones and are dark; two overlook inner courtyards; two face the complex lanes that wind between the high, blank-faced mansions of the Protectorate; and the seventh, facing the steep Street of the Birdsellers and, beyond, a crack in the ring of the mountains across the lake, is always filled at night with stars. When wind speaks in the mountains, it whispers in this window, and makes the fine brown bed hangings dance.”