“Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn’t find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness… ”

“As the day light left the city that night, the streetlamps were not up to anything like their usual candle-power. It was difficult to make anything out clearly. Ordinary social restraints were apt to be defective or not there at all. The screaming that went on all night, ignored as background murmur during the day, now, absent the clamor of street traffic, had taken on urgency and despair – a chorale of pain just about to pass from its realm of the invisible into something that might actually have to be dealt with. Figures which late at night appeared only in levels of grey were now seen to possess color, not the fashionable shades of daytime but blood reds, morgue yellows, and poison greens.”

“...part of me must have really wanted to believe--like a child hearing, in perfect safety, a tale of horror--that the unconscious would be like any other room, once the light was let in. That the dark shapes would resolve only into toy horses and Biedermeyer furniture. That therapy could tame it after all, bring it into society with no fear of its someday reverting. I wanted to believe, despite everything my life had been. Can you imagine?”

“And one cried wee, wee, wee, all the way—" Jessica breaking down in a giggle as he reaches for the spot along her sweatered flank he knows she can't bear to be tickled in. She hunches, squirming, out of the way as he rolls past, bouncing off the back of the sofa but making a nice recovery, and by now she's ticklish all over, he can grab an ankle, elbow— But a rocket has suddenly struck. A terrific blast quite close beyond the village: the entire fabric of the air, the time, is changed—the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders. Their hearts pound. Eardrums brushed taut by the overpressure ring in pain. The invisible train rushes away close over the rooftop.... They sit still as the painted dogs now, silent, oddly unable to touch. Death has come in the pantry door: stands watching them, iron and patient, with a look that says try to tickle me.”

“Darkness invades the dreams of the glassblower. Of all the unpleasantries his dreams grab in out of the night air, an extinguished light is the worst. Light in his dreams, was always hope: the basic moral hope. As the contacts break helically away, hope turns to darkness, and the glassblower wakes sharply tonight crying, Who? Who?”

“Byron, as he burns on, sees more and more of this pattern. He learns how to make contact with other kinds of electric appliances, in homes, in factories and out in the streets. Each has something to tell him. The pattern gathers in his soul (Seele, as the core of the earlier carbon filament was known in Germany), and the grander and clearer it grows, the more desperate Byron gets. Someday he will know everything, and still be as impotent as before. His youthful dreams of organizing all the bulbs in the world seem impossible now—the Grid is wide open, all messages can be overheard, and there are more than enough traitors out on the line. Prophets traditionally don't last long—they are either killed outright, or given an accident serious enough to make them stop and think, and most often they do pull back. But on Byron has been visited an even better fate. He is condemned to go on forever, knowing the truth and powerless to change anything. No longer will he seek to get off the wheel. His anger and frustration will grow without limit, and he will find himself, poor perverse bulb, enjoying it.”

“What of Thought? The Crew had developed a kind of shorthand whereby they could set forth any visions that might come their way. Conversations at the Spoon had become little more than proper nouns, literary allusions, critical or philosophical terms linked in certain ways. Depending on how you arranged the building blocks at your disposal, you were smart or stupid. Depending on how others reacted they were In or Out. The number of blocks, however, was finite."Mathematically, boy," he told himself, "if nobody else original comes along, they're bound to run out of arrangements someday. What then?" What indeed. This sort of arranging and rearranging was Decadence, but the exhaustion of all possible permutations and combinations was death.It scared Eigenvalue, sometimes. He would go in back and look at the set of dentures. Teeth and metals endure.”