“The mud. There are no good similes. Mud must be a Flemish word. Mud was invented here. Mudland must have been its name. The ground is the colour of steel. Over most of the plain there isn't a trace of topsoil; only sand and clay. The Belgians call them 'clyttes', these fields, and the further you go towards the sea, the worse the clyttes become. In them, the water is reached by the plough at an average depth of eighteen inches. When it rains (which is almost constantly from early September through to March, except when it snows) the water rises at you out of the ground. It rises from your footprints-and an army marching over a field can cause a flood. In 1916, it was said that you 'waded to the front'. Men and horses sank from sight. They drowned in mud. Their graves, it seemed, just dug themselves and pulled them down.”
This passage by Timothy Findley vividly captures the overwhelming and treacherous nature of mud in the context of warfare, particularly referencing the battlefields of World War I. The imagery and descriptions convey not only the physical difficulty but also the psychological weight posed by the environment.
Personification and Mythological Creation: The idea that "Mud must be a Flemish word. Mud was invented here. Mudland must have been its name" suggests that mud is an elemental force unique to this place, almost mythic in origin. This personification emphasizes the alien and oppressive character of the landscape.
Harsh Physical Environment: The description of the ground as "the colour of steel" and composed mostly of sand and clay with no topsoil paints a bleak, lifeless setting. This lack of nourishment further symbolizes the desolation and hostility of the battlefield.
Terminology and Local Knowledge: Using the Belgian word "clyttes" grounds the description in a specific, regional context, adding authenticity. The worsening conditions "towards the sea" highlight the progressive deterioration of the terrain.
Relentless Water and Weather: The passage details how water permeates the ground deeply and is constantly renewed by near-continuous rain and snow. The fact that "the water rises at you out of the ground" personifies the mud as an active enemy, making the environment itself a threat.
Impact on Soldiers and Horses: The phrase "waded to the front" and images of men and horses sinking and drowning in mud underline the lethal conditions faced. The mud is not just an inconvenience but a cause of death, turning the earth into a grave.
Metaphor for War’s Devouring Nature: The concluding image of "graves... just dug themselves and pulled them down" communicates how the earth—symbolizing the war—consumes soldiers without mercy or ceremony, a powerful metaphor for the senseless loss of life.
Overall, Findley's description uses vivid, almost tactile imagery to evoke the horror of the battlefield's mud, making the natural environment a formidable adversary alongside the enemy forces.
“Houses, trees and fields of flax once flourished here. Summers had been blue with flowers. Now it was a shallow sea of stinking grey from end to end. And this is where you fought the war.”
“With Tom, there had never been a door to close, only the grass to lie on, never a bed; no walls, no ceiling to shut them in - or others out. Only the moon to see them, only the moon, some stars and whatever it was that had flown up out of the field when Ede had cried 'don't' in the final seconds of their embrace. Don't - meaning don't withdraw.”
“Me?" said Bragg. "I'm not alive. Revived, from time to time - maybe. but not alive."Liar."Try me."You forget, Mister Bragg - Stu honey - Stuart darling - Bragg baby. I already have."They had almost reached their destination.Col said: "I don't have burn marks for nothing, my dear. I don't have these scars by chance. I'm covered with your fingerprints. Covered from head to toe and back again on the other side."You sound just like Minna," said Bragg.I know," Col said. "I know I do. I've been practising.”
“Everyone who’s born has come from the sea. Your mother’s womb is just a sea in small. And birds come of seas on eggs. Horses lie in the sea before they’re born. The placenta is the sea. Your blood is the sea continued in your veins. We are the ocean — walking on the land.”
“Here was an unknown quantity-a child in breeches with a blue scarf wound around his neck whose job it was to get them out and back alive. This...was the greatest terror of war: what you didn't know of the men who told you what to do-where to go and when. What if they were mad-or stupid? What if their fear was greater than yours? Or what if they were brave and crazy-wanting and demanding bravery from you? He looked away. He thought of being born-and trusting your parents. Maybe that was the same. Your parents could be crazy too. Or stupid. Still-he'd rather his father was with him-telling him what to do. Then he smiled. He knew that his father would take one look at the crater and tell him not to go.”
“I tell you Charlie, I was there waiting in that field. waiting for Ede and Tom to find me. You don't think two people come together for nothing, do you? They were together because I was waiting to be found..." Then she looked straight into my face and said to me: "You know it, too, Charlie. All that time you waited for me to find you. What if I hadn't? What if I'd said: I won't?" She turned, and clinging to my arm, she surveyed the fields of snow the stretched away to the confining wall.”